Elmer Bernstein's 'The Hard Bondage - From "The Ten Commandments" Score' had a release date set for January 1, 1977. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Hard Bondage - From "The Ten Commandments" Score's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Ten Commandments". In this album, this song's track order is #5. In terms of popularity, The Hard Bondage - From "The Ten Commandments" Score is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hard Bondage - From "The Ten Commandments" Score by Elmer Bernstein having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Old Fun City (N.Y. Sequence) - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 3 | 5B | 79 BPM | ||
| Easy Winners - The Sting/Soundtrack Version | Marvin Hamlisch | A Major | 4 | 11B | 186 BPM | ||
| Ruth | Gerald Fried & Alexander Courage | F Major | 2 | 7B | 86 BPM | ||
| Prelude and Main Title March | John Williams | F Major | 4 | 7B | 59 BPM | ||
| The Adventures of Robin Hood: Main Title - Muted Fanfare | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | E♭ Major | 3 | 5B | 124 BPM | ||
| Twelve Oaks | Max Steiner | F Major | 3 | 7B | 127 BPM | ||
| Daphne's Island | Original Soundtrack | C Major | 4 | 8B | 120 BPM | ||
| Footsteps In The Dark | Elmer Bernstein | A Major | 0 | 11B | 82 BPM | ||
| The End Titles | Angela Morley | C Major | 1 | 8B | 114 BPM | ||
| Main Title - Born Free | John Barry | F Major | 1 | 7B | 81 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| James Bond Theme | John Barry, Monty Norman | C Major | 7 | 8B | 142 BPM | ||
| The Hidden Fortress | Masaru Sato | C Major | 5 | 8B | 118 BPM | ||
| Main Theme | Elmer Bernstein | A Major | 0 | 11B | 66 BPM | ||
| The Bond Suite | George Martin | C Major | 9 | 8B | 159 BPM | ||
| Stagecoach - Main Theme | Richard Hageman | B♭ Major | 5 | 6B | 107 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM | ||
| The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
| Theme from "Silverado" - Live | 21st Century Symphony Orchestra, Ludwig Wicki | F Major | 4 | 7B | 122 BPM | ||
| Cable Cars | Howard Shore | D Major | 3 | 10B | 82 BPM | ||
| Main Title / Locutus | Star Trek - First Contact | F Major | 1 | 7B | 139 BPM | ||
| Acknowledgement / Main Title | Nelson Riddle | A Minor | 6 | 8A | 96 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Main Title | Maurice Jarre | B♭ Major | 4 | 6B | 81 BPM |