"無伴奏ヴァイオリン・ソナタ ト短調 作品11-6 II. Siziliano" by P. ヒンデミット, 桐山建志(ヴァイオリン) had its release date on February 25, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ヒンデミット:ヴァイオリン&ヴィオラソナタ集, so we believe that "無伴奏ヴァイオリン・ソナタ ト短調 作品11-6 II. Siziliano" is a single. Based on our statistics, 無伴奏ヴァイオリン・ソナタ ト短調 作品11-6 II. Siziliano's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 無伴奏ヴァイオリン・ソナタ ト短調 作品11-6 II. Siziliano by P. ヒンデミット, 桐山建志(ヴァイオリン) is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
| III. With gaiety | Paul Creston, Donald Sinta, Nelita True | D Major | 2 | 10B | 140 BPM | ||
| Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
| カプリオール組曲: III. Tordion | Peter Warlock, 石田組 | G Minor | 1 | 6A | 202 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Amazonian Classic | Valen Rosset | C Major | 2 | 8B | 128 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| More Gordian Knots (Version for Woodwind Ensemble): III. Jig | Guy Woolfenden, Czech Philharmonic Wind Ensemble, Shea Lolin | G Minor | 2 | 6A | 68 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | C Major | 2 | 8B | 128 BPM | ||
| Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | ||
| Octet-Partita in F Major, Op. 57 (Arr. for Woodwind Ensemble by Shea Lolin): I. Allegro vivace | Franz Krommer, Czech Philharmonic Wind Ensemble, Shea Lolin | C Major | 2 | 8B | 128 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| La Traviata: Noi siamo Zingarelle | The Royal Wind Music | F Minor | 1 | 4A | 136 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM | ||
| ファゴットとピアノのためのソナタ II. Langsam - Marsch - Beschluß, Pastrale. Ruhig | P. ヒンデミット, 岡崎耕治(ファゴット), 岡崎 悦子 (ピアノ) | B♭ Major | 0 | 6B | 102 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | C Major | 2 | 8B | 128 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM | ||
| Sensemayá | Silvestre Revueltas, N/A, Banda de Lalín, Bram Sniekers | B♭ Major | 1 | 6B | 90 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: IV. Finale. Allegro con spirito | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Major | 2 | 5B | 101 BPM | ||
| A Tale of Luck and Deception | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM |