George Frideric Handel, Martyn Hill, English Baroque Soloists, John Eliot Gardiner's ' "Acis And Galatea - First Version: Consider, Fond Shepherd" was released on its scheduled release date, January 1, 1978. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Anthony Rolfe Johnson, Norma Burrowes, Paul Elliott, Martyn Hill, Willard White, English Baroque Soloists, John Eliot Gardiner's "Handel: Acis and Galatea" album is number 9 out of 29. On top of that, Germany appears to be the country where this track was created. Acis And Galatea - First Version: Consider, Fond Shepherd is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Acis And Galatea - First Version: Consider, Fond Shepherd by George Frideric Handel, Martyn Hill, English Baroque Soloists, John Eliot Gardiner to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
| Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | G Major | 1 | 9B | 135 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
| Handel: Water Music, Suite No. 2 in D Major, HWV 349: III. Gigue | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | D Major | 1 | 10B | 118 BPM | ||
| Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra) | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
| Handel: Water Music Suite No. 3, HWV 350: Sarabande | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 175 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
| Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
| Cello Concerto No. 6 in D Major, G. 479: II. Adagio | Luigi Boccherini, Steven Isserlis, Orchestra of the Age of Enlightenment | A Major | 0 | 11B | 71 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 105 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
| Overture (Suite) in E-Flat Major, TWV 55:Es3, "La lyra": VII. Gigue | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 2 | 5B | 125 BPM | ||
| Gigues en rondeau I & II | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 128 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Apollo e Dafne, HWV 122: V. Felicissima quest’alma | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM |