Apollo e Dafne, HWV 122: V. Felicissima quest’alma by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni Song Details

George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni's 'Apollo e Dafne, HWV 122: V. Felicissima quest’alma' had a release date set for August 24, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Fabio Bonizzoni's "Handel: Italian Cantatas, Vol. 7" album is number 5 out of 32. On top of that, Spain appears to be the country where this track was created. The popularity of Apollo e Dafne, HWV 122: V. Felicissima quest’alma is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Apollo e Dafne, HWV 122: V. Felicissima quest’alma by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.873 dB
Acousticness: 88%
Danceability: 19%
Energy: 10%
Instrumentalness: 4%
Liveness: 18%
Loudness: 65%
Speechiness: 5%
Valence: 27%

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