On January 1, 1977, the song "Study No. 11" was released by Conlon Nancarrow. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "Studies for Piano Player". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Study No. 11's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Study No. 11 by Conlon Nancarrow having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stoned | The Chitinous Ensemble | G Major | 5 | 9B | 104 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | F♯ Minor | 3 | 11A | 80 BPM | ||
| Beyond the Stars | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
| Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
| Studies 1-12: Study 3e | Conlon Nancarrow, Bösendorfer Grand Piano | C Major | 6 | 8B | 83 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Window in 7's | Meredith Monk, Bruce Brubaker | A Minor | 2 | 8A | 80 BPM | ||
| China Gates | John Adams, Bruce Brubaker | E♭ Minor | 1 | 2A | 153 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Sisask : Starry Sky Cycle Op.52 : 25. Ursa Minor [Peace] | Urmas Sisask, Lauri Väinmaa | G Minor | 1 | 6A | 131 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| Ravel: String Quartet, M. 35: III. Très lent | Maurice Ravel, Quatuor Ébène | B Major | 0 | 1B | 80 BPM | ||
| Symphonique #3 (Ode to Venus) - Instrumental | Louis Hardin, Moondog | D Major | 3 | 10B | 88 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Shaker Loops: Loops and Verses (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Bartók: String Quartet No. 2 in A Minor, Op. 17, Sz. 67: II. Allegro molto capriccioso | Béla Bartók, Belcea Quartet | G Major | 2 | 9B | 98 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | D Major | 0 | 10B | 210 BPM |