"Shall I Return to You" by Felicia Atkinson had its release date on October 25, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Space As An Instrument". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Based on our statistics, Shall I Return to You's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shall I Return to You by Felicia Atkinson having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Change Is to Continue | Astrid Sonne | C Minor | 4 | 5A | 141 BPM | ||
| Visnaga | Felicia Atkinson | F Major | 4 | 7B | 117 BPM | ||
| Surrounded By Loved Ones | Spirituals | G Major | 0 | 9B | 76 BPM | ||
| Shall I Return to You | Felicia Atkinson | C Major | 2 | 8B | 127 BPM | ||
| 22 | sleepazoid | D♭ Minor | 0 | 12A | 89 BPM | ||
| The House Party Went On So Long We Talked and Drank and Played Music til The Morning | Dylan Henner | A Minor | 3 | 8A | 176 BPM | ||
| You Have To Have Eyes | Felicia Atkinson | F Major | 4 | 7B | 117 BPM | ||
| Retrograde | O Yuki Conjugate | A Minor | 3 | 8A | 65 BPM | ||
| Reverence | Elori Saxl, Henry Solomon | D♭ Minor | 0 | 12A | 89 BPM | ||
| Below the Surface We Shimmer and Shine | aus, The Humble Bee | D♭ Minor | 0 | 12A | 89 BPM | ||
| Sustained Surface - Distant View | Ellen Fullman, The Living Earth Show | D Minor | 3 | 7A | 182 BPM | ||
| Magdalena | Sarah Davachi | G Major | 0 | 9B | 72 BPM | ||
| Glittering Pain | r beny | B Minor | 1 | 10A | 132 BPM | ||
| Hesitant Weather | K. Leimer | D♭ Minor | 0 | 12A | 89 BPM | ||
| Non Qui Ora | Thelma | D♭ Minor | 0 | 12A | 89 BPM | ||
| Eternity | Kara-Lis Coverdale | F Minor | 2 | 4A | 170 BPM | ||
| Chorus Scene | Sarah Davachi | C Minor | 0 | 5A | 133 BPM | ||
| The Youniverse | Dialect | D♭ Major | 2 | 3B | 82 BPM | ||
| Long Dust | U.e., Ulla | G Major | 0 | 9B | 114 BPM | ||
| just (feat. m sage) | claire rousay | C Major | 3 | 8B | 80 BPM | ||
| Schirley | Tomaga | D Major | 4 | 10B | 107 BPM | ||
| dlp 1.2.1 | William Basinski | A Major | 3 | 11B | 81 BPM | ||
| Shared Threads | Jorane | D♭ Minor | 0 | 12A | 89 BPM | ||
| Reprisal - Penelope Trappes rework | Rafael Anton Irisarri, Penelope Trappes | C Minor | 6 | 5A | 71 BPM | ||
| Solid Snake | Car Culture | F♯ Minor | 3 | 11A | 82 BPM |