Rita Reys's 'Come Back To Me' had a release date set for August 6, 1969. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Come Back To Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rita Reys Today". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Come Back To Me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come Back To Me by Rita Reys having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Railing Trace | Night Toy Orchestra | E♭ Major | 2 | 5B | 72 BPM | ||
| Take Your Shoes Off, Baby | Carol Sloane | C Major | 4 | 8B | 95 BPM | ||
| Pewter Knob | Azure Silence Jazz | C Major | 2 | 8B | 93 BPM | ||
| Shuttered Frame | Night Toy Orchestra | F Minor | 3 | 4A | 75 BPM | ||
| The Shadow of Your Smile | Ann Burton, Louis Van Dijk | G Minor | 1 | 6A | 119 BPM | ||
| Golden Glow | Jazz Cafè | C Minor | 3 | 5A | 174 BPM | ||
| Go Away Little Boy | Ann Burton, Louis Van Dijk, Piet Noordijk | C Major | 3 | 8B | 122 BPM | ||
| Goru | Bee Earn | C Major | 5 | 8B | 111 BPM | ||
| Nothing Better | Eugenie Jones | D Minor | 3 | 7A | 69 BPM | ||
| Spring Will Be A Little Late This Year | Pim Jacobs Trio | D♭ Major | 1 | 3B | 103 BPM | ||
| Tiempo lento | Kaelux | C Minor | 3 | 5A | 120 BPM | ||
| The Wind Remembers | Velour JAZZ | B Major | 2 | 1B | 97 BPM | ||
| Millionaire's Sip | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| Ruby Trace | Dusk in Bloom | B♭ Major | 4 | 6B | 121 BPM | ||
| Come To Scheveningen | Rita Reys | D♭ Major | 5 | 3B | 77 BPM | ||
| Shadows Behind the Bar | Choll | A♭ Major | 3 | 4B | 57 BPM | ||
| Letterbox Panel | Azure Silence Jazz | C Minor | 3 | 5A | 82 BPM | ||
| Ashes on the Floor | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| Marble Loggia | walkin around jazz | G Minor | 2 | 6A | 76 BPM | ||
| Let's Face The Music And Dance | Mael Tormé, The Marty Paich Dek-tette | D♭ Major | 1 | 3B | 79 BPM | ||
| A Lovely Way to Spend An Evening | Ann Burton, Louis Van Dijk | A♭ Major | 1 | 4B | 119 BPM | ||
| Words About to Fall Asleep | Retro Cafe Radio | F Major | 4 | 7B | 86 BPM | ||
| Bistro at Dusk | Monochrome Silence | G Major | 3 | 9B | 111 BPM | ||
| A Luminous Trace | Ryan Moret | C Minor | 3 | 5A | 120 BPM | ||
| Cenzia | Luz Mala | C Minor | 3 | 5A | 120 BPM |