Sítio de Pai Adão's ' "Toada Para Ogum" was released on its scheduled release date, 2020. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Ritmos Africanos no Xangô do Recife". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Australia. Based on our statistics, Toada Para Ogum's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Toada Para Ogum by Sítio de Pai Adão having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ago Elegbara | Ryan de Oxala | D Minor | 6 | 7A | 141 BPM | ||
| Olha Quem Vem Lá no Portão | Jonathan Pires | A♭ Major | 3 | 4B | 84 BPM | ||
| Ponto Caboclos - Vem Lá da Mata | Batuqueiro de Oxóssi | D♭ Major | 4 | 3B | 100 BPM | ||
| O Baiano | Umbanda Sagrada | C Major | 3 | 8B | 134 BPM | ||
| Linda Eterna Rosa | Alagbê Luis Pedro de Iemanjá | C Major | 4 | 8B | 127 BPM | ||
| Ô Mulambo, Mulambeira | Bruxo Luiz de Lúcifer | A♭ Major | 4 | 4B | 162 BPM | ||
| Cântico para Iansã | ILÊ FUN FUN | F Major | 9 | 7B | 149 BPM | ||
| Cabocla Janaina | Mestre Ogã Shynna | F Minor | 7 | 4A | 143 BPM | ||
| Toada Para Ewa | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Ele Vem Girando A Terra | Bruxo Luiz de Lúcifer | A♭ Major | 5 | 4B | 150 BPM | ||
| Meu Grande Mestre Zé da Virada | Pérola D'Iemanjá, Bhetânia Lemme | F Major | 3 | 7B | 88 BPM | ||
| FALSO AMIGO / MARIA MULAMBO | Ogan Helder | A Minor | 4 | 8A | 144 BPM | ||
| Yemanjá | Casa Fanti Ashanti | C Major | 5 | 8B | 147 BPM | ||
| Kpossun | Huntó Bará Sojí | C Major | 7 | 8B | 92 BPM | ||
| Epa domile pá | Joeliton Vieira | A Minor | 4 | 8A | 90 BPM | ||
| Toada Para Oxalufã | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM | ||
| Exu das Matas Quebra Galho | Vagner de Aganjú, Martin de Xangô | A Major | 7 | 11B | 120 BPM | ||
| Iracema Cabocla Guerreira | Sandro Luiz | F♯ Minor | 4 | 11A | 109 BPM | ||
| Áíra ojó aniwá wúre olowó omoasíkóbéré | Lucinha Pessoa, Dil Fonseca, Marcos Sacramento | C Major | 5 | 8B | 130 BPM | ||
| Tranca Rua e os 7 Exus | Cae lopes | F♯ Major | 5 | 2B | 109 BPM | ||
| Pisa na Linha de Umbanda | Grupo Sete Ondas | G Major | 5 | 9B | 110 BPM | ||
| Ágó n'ilé | Dil Fonseca, Lucinha Pessoa, Marcos Sacramento | F Major | 6 | 7B | 144 BPM | ||
| Pombagira 7 Catacumbas | Filha De Zé | F Minor | 3 | 4A | 75 BPM | ||
| Exu Sete Campas | Coral Filhos de Exu | F Major | 8 | 7B | 155 BPM | ||
| Xangô | Joãozinho da Goméia | F Minor | 4 | 4A | 108 BPM |