Sítio de Pai Adão's ' "Toada Para Ewa" was released on its scheduled release date, 2020. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Toada Para Ewa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Ritmos Africanos no Xangô do Recife". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Australia. The popularity of Toada Para Ewa is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Toada Para Ewa by Sítio de Pai Adão having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chegada de Caboclo | PAI ZÉ PRETO DE OXUM, FERNANDO DE IEMANJÁ | E♭ Major | 6 | 5B | 81 BPM | ||
| Mulambo Me Avisou | Yeemí | B♭ Major | 3 | 6B | 133 BPM | ||
| Ossain | Zezé De Oxalá | E Major | 6 | 12B | 123 BPM | ||
| O Baiano | Umbanda Sagrada | C Major | 3 | 8B | 134 BPM | ||
| JOÃO CAVEIRA NA GUARDA DO CAMINHO (Ponto De João Caveira) | Umbanda Brasil, Pontos de Umbanda e Candomblé | D♭ Major | 5 | 3B | 96 BPM | ||
| PONTO DE MARIAZINHA /IBEJADA | Ogan Helder | B Minor | 4 | 10A | 154 BPM | ||
| Avaninha / Vassi d'Ogun | Toninho de Oxossi | B♭ Minor | 6 | 3A | 141 BPM | ||
| Gira das Pombas Gira | J.B. De Carvalho, Coral Filhos de Exu | F Minor | 8 | 4A | 87 BPM | ||
| Oxum | Mestre Hilário, Mestre Erenilton Bagum | B♭ Major | 7 | 6B | 88 BPM | ||
| Ainé Angorô Sinhô | A Barca | A♭ Minor | 6 | 1A | 151 BPM | ||
| Òríkìn Òìyá | Sergio D Ogun | E♭ Minor | 8 | 2A | 120 BPM | ||
| Nanã | Dofono de Omulu | B♭ Minor | 3 | 3A | 102 BPM | ||
| Ossain | Ilê Àse Oyá Funjó | C Major | 5 | 8B | 139 BPM | ||
| Frita no Dende Ponto de demanda Sete Saias | Ọmọdé-iṣẹ́wèrẹ́, Marcela Marques | F Minor | 7 | 4A | 82 BPM | ||
| Sogbo 3 | Huntó Bará Sojí | C Major | 7 | 8B | 92 BPM | ||
| Ògún Ayọ̀ | Joeliton Vieira | B Minor | 8 | 10A | 136 BPM | ||
| Cantiga para Azansù 3 | Mestres Navegantes, Roça do Ventura (Zogbodô Bogun Malé Seja Hundé), Buda de Bobosa | C Major | 10 | 8B | 170 BPM | ||
| Olha Quem Vem Lá no Portão | Jonathan Pires | A♭ Major | 3 | 4B | 84 BPM | ||
| Loko | Huntó Bará Sojí | C Major | 8 | 8B | 188 BPM | ||
| Vou me Embora Pr'o Sertão | Joãozinho da Goméia | B Major | 4 | 1B | 108 BPM | ||
| Saudando as Pombagiras | Pablo de Ogum | A♭ Minor | 7 | 1A | 167 BPM | ||
| Légua Boji Buá | Tribuna Jurandiense, FERNANDO DE IEMANJÁ, PAI ZÉ PRETO DE OXUM | F Minor | 6 | 4A | 172 BPM | ||
| Arreda homem que aí vem mulher | Camafeu de Ayrá | E♭ Minor | 6 | 2A | 107 BPM | ||
| Oxóssi Caçador - Ponto De Oxóssi | Umbanda Brasil, Pontos de Umbanda e Candomblé | A♭ Major | 9 | 4B | 135 BPM | ||
| Toada Para Oxum 3 | Sítio de Pai Adão | B Minor | 9 | 10A | 160 BPM |