"Lovelornity - Instrumental" by Thomas Newman had its release date on January 10, 1995. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Thomas Newman's "Little Women Soundtrack" album is number 25 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lovelornity - Instrumental is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lovelornity - Instrumental by Thomas Newman to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Photo | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM | ||
| Selbourne Wood | Adrian Johnston | A Minor | 1 | 8A | 66 BPM | ||
| Colin Senses Craven | Zbigniew Preisner | B Major | 1 | 1B | 84 BPM | ||
| I Met Someone (From "Return to Me") | Nicholas Pike | F Major | 1 | 7B | 72 BPM | ||
| Reunion | Joel McNeely | C Major | 1 | 8B | 75 BPM | ||
| Saving Sarah Cain - Main Titles | Mark McKenzie | D Major | 2 | 10B | 165 BPM | ||
| Recovery | Nigel Westlake | B Minor | 1 | 10A | 77 BPM | ||
| Lucky Day | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Follow Your Feet | Carter Burwell | D Major | 0 | 10B | 87 BPM | ||
| Skipping Rope | Zbigniew Preisner | C Major | 1 | 8B | 122 BPM | ||
| Impecunious Circumstances | Thomas Newman | C Minor | 2 | 5A | 85 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| Land Ahoy | David Arnold | C Minor | 1 | 5A | 94 BPM | ||
| Austria (From the HBO Miniseries "Band of Brothers" Soundtrack) | Michael Kamen, London Metropolitan Orchestra, John Anderson, Dave Lee, Maire Brennan, Zoe Kamen, Julie Andrews | B♭ Major | 1 | 6B | 86 BPM | ||
| Did You Let Me Go? | Geoff Zanelli, Jon Brion | G Minor | 1 | 6A | 82 BPM | ||
| Dreams Come True | Randy Edelman | A♭ Major | 2 | 4B | 132 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| The Secret Life Of Daydreams - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | B♭ Major | 0 | 6B | 71 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| The Black Stallion (Theme Reprise) | Czech Philharmonic Chamber Orchestra | E Major | 2 | 12B | 121 BPM | ||
| Jemima Puddle Duck | Nigel Westlake | A Major | 0 | 11B | 88 BPM | ||
| Laendler | Irwin Kostal | F Major | 1 | 7B | 135 BPM | ||
| Scuppered (Ancient Things) | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | A Minor | 0 | 8A | 166 BPM |