- BPM
- 68
- Key
- D Minor
- Camelot
- 7A
Fantasie by En-Chi Anna Ho, Mark Neumann Song Details
"Fantasie" by En-Chi Anna Ho, Mark Neumann had its release date on March 1, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Romantic Showpieces For Viola". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Fantasie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Fantasie by En-Chi Anna Ho, Mark Neumann having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 6%
- Loudness
- -22.701 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 9%
- Instrumentalness
- 88%
- Liveness
- 22%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 17%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ernst: Grand Caprice on "Der Erlkönig", Op. 26 (After Schubert) [Arr. Ernst] | Heinrich Wilhelm Ernst, Vadim Repin | G Minor | 3 | 6A | 127 BPM | |
 | 12 Scenes or Caprices, Op. 109: No. 7, Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 2 | 8A | 83 BPM | |
 | Romance Op. 1 | Edward Elgar, Marat Bisengaliev, Benjamin Frith | D Minor | 2 | 7A | 148 BPM | |
 | Violin Concerto No. 4 In D Minor, MS 60: II. Adagio Flebile Con Sentimento | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | F♯ Minor | 1 | 11A | 101 BPM | |
 | Concerto for Double Bass and Orchestra: III. Tempo 1 | Serge Koussevitzky, Gary Karr, Alfredo Antonini, Oslo Philharmonic Orchestra | F♯ Minor | 1 | 11A | 111 BPM | |
 | 6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | |
 | Viola Concerto in E-Flat Major: I. Allegro con fuoco | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | E♭ Major | 1 | 5B | 147 BPM | |
 | Cello Sonata No. 2, Op. 81: III. Allegro con spirito | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | D Minor | 2 | 7A | 78 BPM | |
 | Elegie, Op. 30 | En-Chi Anna Ho, Mark Neumann | F Minor | 2 | 4A | 127 BPM | |
 | Tchaikovsky: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction - Theme | Pyotr Ilyich Tchaikovsky, Edgar Moreau, Michael Sanderling, Luzerner Sinfonieorchester | A Major | 0 | 11B | 99 BPM | |
 | Sonata No. 1 for Violin and Piano in A Minor, Op. 105: I. Mit leidenschaftlichem Ausdruck | Robert Schumann, Gidon Kremer, Martha Argerich | A Minor | 1 | 8A | 83 BPM | |
 | 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | |
| Marchenbilder, Op. 113 (No. 1 Nicht schnell) | En-Chi Anna Ho, Mark Neumann | D Minor | 1 | 7A | 68 BPM | |
 | Zigeunerweisen, Op. 20 (version for violin and orchestra) | Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba | C Minor | 1 | 5A | 108 BPM | |
 | Bottesini: Grande allegro di concerto (alla Mendelssohn) | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 136 BPM | |
 | Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo | Johannes Brahms, Andreas Röhn, Karl Bergemann | G Major | 1 | 9B | 70 BPM | |
 | String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | G Major | 1 | 9B | 77 BPM | |
 | Piano Quintet in F Minor, Op. 34: II. Andante, un poco adagio | Johannes Brahms, Arthur Rubinstein | D Major | 0 | 10B | 80 BPM | |
 | 3 Concertante Duets for Violin and Cello, MS 107, No. 1 in E-Flat Major: I. Allegro | Niccolò Paganini, Stefan Milenkovich, Riccardo Agosti | F Major | 0 | 7B | 163 BPM | |
 | Five Pieces For Two Violins and Piano: II. Gavotte | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 82 BPM | |
 | String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto | Felix Mendelssohn, Emerson String Quartet | G Major | 1 | 9B | 142 BPM | |
 | Sonata in G Minor: IV. Vivace | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 3 | 6A | 113 BPM | |
 | Chopin: Introduction et Polonaise brillante in C Major, Op. 3 | Gautier Capuçon, Yuja Wang | C Major | 1 | 8B | 103 BPM | |
 | Etude No. 6, Variations On "The Last Rose Of Summer" | Heinrich Wilhelm Ernst, Yu-Chien Tseng | G Major | 1 | 9B | 99 BPM | |
 | 12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | D♭ Major | 1 | 3B | 80 BPM |
- ISRC
- USA560914863
- Label
- L-M Records/RCA Records