Felix Mendelssohn, Emerson String Quartet's ' "String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto" was released on its scheduled release date, January 1, 2005. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Emerson String Quartet's "Mendelssohn: The String Quartets & Octet In Two Parts" album is number 7 out of 38. On top of that, Germany appears to be the country where this track was created. Based on our statistics, String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto by Felix Mendelssohn, Emerson String Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Concerto in E major for Double-bass and Orchestra: 1. Allegro | Carl Ditters von Dittersdorf, Odon Racz, Franz Liszt Chamber Orchestra | E Major | 1 | 12B | 108 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto - Live | Dmitri Shostakovich, Emerson String Quartet | G Major | 4 | 9B | 135 BPM | ||
| Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A Minor | 1 | 8A | 92 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
| String Quartet in G Minor, Op. 27: II. Romanze. Andantino - Allegro agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | B♭ Major | 1 | 6B | 98 BPM | ||
| String Quartet No.1 in A Major | Alexander Borodin, Borodin Quartet | A Minor | 1 | 8A | 117 BPM | ||
| Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | G Major | 2 | 9B | 126 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
| Symphonie espagnole, Op. 21: V. Rondo. Allegro | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
| Piano Trio in G minor, Op. 17: 3. Andante | Clara Schumann, Beaux Arts Trio | G Major | 0 | 9B | 180 BPM | ||
| Duet for 2 Violins in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Heinz Schunk, Ulrike Petersen | A Major | 1 | 11B | 123 BPM | ||
| Piano Quintet in E flat, Op. 44: 2. In modo d'una marcia (Un poco largamente) | Robert Schumann, Menahem Pressler, Emerson String Quartet | F Minor | 0 | 4A | 94 BPM | ||
| Piano Concerto No. 1 in E Flat Major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
| Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
| Wieniawski: Polonaise No. 2, Op. 21 | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | E Major | 2 | 12B | 95 BPM | ||
| Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
| Glazunov: Violin Concerto in A Minor, Op. 82: IV. Allegro | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | A Major | 2 | 11B | 141 BPM | ||
| String Quartet No. 4 in C Minor, Op. 18 No. 4: 1. Allegro ma non tanto | Ludwig van Beethoven, Emerson String Quartet | C Minor | 1 | 5A | 153 BPM | ||
| Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM |