"Violin Concerto, Op.15: 2. Vivace" by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi had its release date on January 1, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Beethoven & Britten: Violin Concertos by Janine Jansen, Deutsche Kammerphilharmonie Bremen, London Symphony Orchestra, Paavo Järvi. In terms of popularity, Violin Concerto, Op.15: 2. Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op.15: 2. Vivace by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Four Seasons, Summer, Violin Concerto in G Minor, RV 315, Op. 8 No. 2: I. Allegro non molto – Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | G Minor | 2 | 6A | 151 BPM | ||
| Harold en Italie, Op. 16, H 68: II. Marche des pélerins chantant la prière du soir | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tabea Zimmermann | E Major | 0 | 12B | 87 BPM | ||
| Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis | C Major | 2 | 8B | 77 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
| Suk: Elegie in D-Flat Major, Op. 23 (Adagio - Poco più mosso): | Josef Suk, Ahn Trio | A♭ Major | 0 | 4B | 83 BPM | ||
| The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 153 BPM | ||
| 3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
| Suite for Cello and Orchestra, Op. 16: V. Tarantelle (presto non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 3 | 10B | 94 BPM | ||
| Serenade: II. Aristophanes. Allegretto | Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D♭ Major | 0 | 3B | 175 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| Concerto for Viola & Orchestra: II. Vivo con molto preciso | William Walton, Yuri Bashmet, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 136 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
| Symphony No. 1, GMW 11: Id. Vorwärts drängend | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 3 | 10B | 63 BPM | ||
| Serenade: IV. Agathon. Adagio | Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Minor | 0 | 7A | 54 BPM | ||
| Violin Concerto, Op. 14: I. Allegro | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | C Major | 1 | 8B | 95 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 1: No. 1, Prelude. At the Wedding | Edvard Grieg, Paavo Järvi, Rain Vilu, Estonian National Symphony Orchestra | D Major | 1 | 10B | 85 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato – | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | C Minor | 1 | 5A | 103 BPM | ||
| Cello Concerto in D Minor: III. Introduction. Andante - Allegro vivace | Édouard Lalo, Yo-Yo Ma, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | D Minor | 1 | 7A | 153 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| String Quartet in G Minor, Op. 27: IV. Finale. Lento - Presto al saltarello (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68: No. 5, Silent Woods, B. 182 (Version for Cello and Orchestra) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 125 BPM | ||
| Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
| Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM |