On June 10, 2013, the song "S'pposed To Be" was released by Harry Connick, Jr.. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Every Man Should Know by Harry Connick, Jr.. The popularity of S'pposed To Be is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of S'pposed To Be by Harry Connick, Jr. is Presto (very, very fast), since this song has a tempo of 188 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last to Say Goodnight | Eddie Gold | A♭ Major | 3 | 4B | 72 BPM | ||
| What a Difference a Day Makes | Frank Sinatra Jr. | F Major | 3 | 7B | 110 BPM | ||
| Alright, Okay, You Win (with Diana Krall) | Tony Bennett, Diana Krall | A Minor | 1 | 8A | 108 BPM | ||
| Makin' Whoopee! (with Rickie Lee Jones) | Dr. John, Rickie Lee Jones | F Minor | 5 | 4A | 88 BPM | ||
| I've Drawn Your Face | Rachael & Vilray | E♭ Major | 2 | 5B | 81 BPM | ||
| Santa, Won't You Listen to Me | Kyle Cox | F Minor | 4 | 4A | 122 BPM | ||
| My Funny Valentine | Dinah Shore, André Previn | G Minor | 1 | 6A | 71 BPM | ||
| Love Is Here To Stay | Ella Fitzgerald, Louis Armstrong | G Major | 2 | 9B | 103 BPM | ||
| The algorithm is watching you now | Marcel Du Chimp | E Major | 6 | 12B | 88 BPM | ||
| Love You Madly | Rachael Price | C Major | 5 | 8B | 126 BPM | ||
| Come Back to Me | Cherry Poppin' Daddies | F Minor | 4 | 4A | 82 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| You're Nobody 'Til Somebody Loves You | Nat King Cole Trio | C Minor | 1 | 5A | 128 BPM | ||
| Things Ain't What They Used To Be | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 106 BPM | ||
| The Birth Of The Blues | Sammy Davis Jr. | C Major | 3 | 8B | 101 BPM | ||
| Big in Japan | Heather Rigdon | A Major | 5 | 11B | 200 BPM | ||
| What | Maria Gilbert | D♭ Major | 3 | 3B | 75 BPM | ||
| Softly As In A Morning Sunrise - Mono | June Christy | F Minor | 2 | 4A | 115 BPM | ||
| Bright Shiny Day | Daniel Farrant, James Knight | C Major | 5 | 8B | 115 BPM | ||
| On the Sunny Side of the Street - From Father of the Bride, Pt. II | Steve Tyrell | C Major | 4 | 8B | 110 BPM | ||
| Go Daddy-o | The Swing Cats Big Band | B♭ Major | 5 | 6B | 100 BPM | ||
| A Nightingale Sang In Berkeley Square - 2001 Digital Remaster | Bobby Darin | D♭ Major | 3 | 3B | 116 BPM | ||
| Tea For Two | Blossom Dearie | B♭ Minor | 0 | 3A | 100 BPM | ||
| A Kiss to Build a Dream On | Tony Bennett, k.d. lang | D♭ Major | 1 | 3B | 87 BPM | ||
| Come Dance With Me | Diana Krall | A Minor | 5 | 8A | 128 BPM |