"La Gioconda, Op. 9: Cielo! E mar!" by Amilcare Ponchielli, Franco Corelli, Philharmonia Orchestra, Franco Ferraris had its release date on February 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 54 in Franco Corelli: A Discographic Career by Franco Corelli, Arturo Basile, Umberto Cattini, Angelo Questa, Franco Ferraris, Tullio Serafin, Gabriele Santini, Lovro Von Matacic, Raffaele Mingardo. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. La Gioconda, Op. 9: Cielo! E mar! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Gioconda, Op. 9: Cielo! E mar! by Amilcare Ponchielli, Franco Corelli, Philharmonia Orchestra, Franco Ferraris is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 128 BPM | ||
| Vals de "Coppelia" | Gran Orquesta Vienesa | E♭ Major | 2 | 5B | 69 BPM | ||
| Frist Trasch Polka | George Henkla | A Major | 5 | 11B | 81 BPM | ||
| Cavatina Figaro | Giacomo Rossi, Helmuth Brandenburg | C Major | 3 | 8B | 61 BPM | ||
| Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
| Noches de Viena | Orquesta Filarmonica de Rumania | D Major | 3 | 10B | 174 BPM | ||
| Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
| La Gioconda: Dance of the Hours (Arr. for Organ) | Amilcare Ponchielli, Paolo Bottini | B Major | 0 | 1B | 74 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
| Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
| Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
| Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 74 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
| An der schönen blauen Donau, Waltz, Op. 314 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 95 BPM | ||
| Tritsch-Tratsch-Polka, Op. 214 "Triqui Traqui" - Arr. by Paul Desenne | Johann Strauss II, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A Major | 6 | 11B | 88 BPM | ||
| IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 73 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM |