John Anderson's 'The Waltz You Saved for Me' had a release date set for 1982. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Waltz You Saved for Me's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wild And Blue by John Anderson. The song's track number on the album is #2 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. The Waltz You Saved for Me is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Waltz You Saved for Me by John Anderson has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Waltz You Saved for Me being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Down at the Old Corral | Randy Travis | B♭ Major | 4 | 6B | 105 BPM | ||
| We Belong In Love Tonight | John Conlee | D♭ Minor | 5 | 12A | 80 BPM | ||
| Everyday I Have to Cry Some | Joe Stampley | F♯ Minor | 6 | 11A | 126 BPM | ||
| The Last Honky-Tonk | The Reeves Brothers | A Major | 6 | 11B | 126 BPM | ||
| Silent Partners | David Frizzell, Shelly West | G Major | 4 | 9B | 83 BPM | ||
| Talkin' to the Wrong Man | Michael Martin Murphey | B Major | 2 | 1B | 82 BPM | ||
| Wanting You But Never Having You | Jack Greene | G Major | 2 | 9B | 115 BPM | ||
| Think I'll Go Somewhere And Cry Myself To Sleep | Charlie Louvin | E Major | 2 | 12B | 104 BPM | ||
| Jackson Ain't a Very Big Town | Johnny Duncan, June Stearns | C Major | 4 | 8B | 95 BPM | ||
| Old 8 x 10 | Randy Travis | B♭ Major | 1 | 6B | 107 BPM | ||
| It Ain't Nothing New Babe | Billy Joe Shaver | B Major | 3 | 1B | 124 BPM | ||
| Misery Loves Company | Porter Wagoner | F Major | 4 | 7B | 189 BPM | ||
| Different Kind of Flower | Bobby Flores, Richard Wolfe | F Major | 4 | 7B | 124 BPM | ||
| What Comes Natural to a Fool | Landon Dodd | B♭ Major | 5 | 6B | 127 BPM | ||
| Country 'Til I Die | John Anderson | E Major | 7 | 12B | 126 BPM | ||
| Half a Mind | Ernest Tubb | A♭ Major | 3 | 4B | 115 BPM | ||
| One in a Million | Johnny Lee | G Major | 4 | 9B | 120 BPM | ||
| The Price of a Thin Silver Dime | John Anderson | D Major | 3 | 10B | 95 BPM | ||
| Too Cold At Home | Mark Chesnutt | D Major | 4 | 10B | 93 BPM | ||
| Let Go Of The Stone | John Anderson | C Major | 4 | 8B | 97 BPM | ||
| Uptown Downtown (Misery's All The Same) | Mark Chesnutt | B Major | 6 | 1B | 131 BPM | ||
| I Wish You Could Have Turned My Head (And Left My Heart Alone) | The Oak Ridge Boys | A♭ Major | 3 | 4B | 115 BPM | ||
| Havin' Hard Times | John Anderson | E Major | 6 | 12B | 87 BPM | ||
| She's Up To Her Old Tricks Again | David Frizzell | B♭ Major | 5 | 6B | 179 BPM | ||
| Nobody's Home | Clint Black | D♭ Major | 5 | 3B | 105 BPM |