Ma mère l'oye, M.60: 3. Laideronnette, Impératrice des Pagodes by Maurice Ravel, Katia Labèque, Marielle Labèque Song Details

"Ma mère l'oye, M.60: 3. Laideronnette, Impératrice des Pagodes" by Maurice Ravel, Katia Labèque, Marielle Labèque had its release date on June 10, 1987. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 23 in Bizet: Jeux d'enfants / Fauré: Dolly Suite / Ravel: Ma Mère l'oye by Katia Labèque, Marielle Labèque. In terms of popularity, Ma mère l'oye, M.60: 3. Laideronnette, Impératrice des Pagodes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Ma mère l'oye, M.60: 3. Laideronnette, Impératrice des Pagodes by Maurice Ravel, Katia Labèque, Marielle Labèque is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -27.421 dB
Acousticness: 99%
Danceability: 38%
Energy: 5%
Instrumentalness: 91%
Liveness: 10%
Loudness: 54%
Speechiness: 4%
Valence: 4%

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