"Presentation of Thor Heyerdahl" by Film Symphony Orchestra, Ragnar Bjerkreim had its release date on 1993. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "The Kon-Tiki Man (Thor Heyerdahl) [Soundtrack]". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Norway. Presentation of Thor Heyerdahl is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Presentation of Thor Heyerdahl by Film Symphony Orchestra, Ragnar Bjerkreim having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Music of My Moments | Sibille Crawford, Brittanni Kia, Jake Brody, Royal Philarmonic Cunes | G Major | 3 | 9B | 120 BPM | ||
| Crossing Over | Orchestra Nocturna | E Minor | 2 | 9A | 115 BPM | ||
| London 1900 (Filby's Theme) [Remastered 2022] | Russell Garcia | A Major | 0 | 11B | 177 BPM | ||
| El Sol Es el Centro | Ninfas De Ultramar | G Minor | 1 | 6A | 110 BPM | ||
| Cliffside Towns of Greece | Shelly | B Minor | 1 | 10A | 140 BPM | ||
| Sensaciones Diferentes | Las Guerreras | D Minor | 0 | 7A | 119 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Echoes of love | Jalaapeno | A♭ Major | 0 | 4B | 56 BPM | ||
| Brother Žak: "Výstup ředitelky velkého cirkusu, orchestrální mezihra" (Ředitelka) | Miloš Vacek, Film Symphony Orchestra, František Belfín, Alena Míková | C Major | 2 | 8B | 118 BPM | ||
| Za tichých nocí z cyklu Závišovy písně | Rudolf Friml, Jan Soumar, Kühn Mixed Choir, Film Symphony Orchestra, Milivoj Uzelac | A♭ Minor | 0 | 1A | 70 BPM | ||
| Venid a mi | Marx Huancas | E♭ Major | 2 | 5B | 168 BPM | ||
| 青い孤島 | Arei | E♭ Major | 1 | 5B | 92 BPM | ||
| Reunion And Finale (From "Gettysburg") | Cincinnati Pops Orchestra, Erich Kunzel, Timothy Berens | G Major | 3 | 9B | 56 BPM | ||
| Návrat domů | Jiří Sternwald, Kühn Mixed Choir, Film Symphony Orchestra, Pavel Kühn, František Belfín | G Major | 2 | 9B | 151 BPM | ||
| Act III: The Ascension | ARKTOS | D Minor | 0 | 7A | 75 BPM | ||
| Flamboyant | Fred Bouchal | G Minor | 4 | 6A | 66 BPM | ||
| Four Dramatic Studies: No. 3, — | Ivo Jirásek, Film Symphony Orchestra, Mario Klemens | G Major | 2 | 9B | 151 BPM | ||
| ET | Berlin Film Orchestra | C Major | 2 | 8B | 132 BPM | ||
| So Weeps the World | Pierre-Alexandre Monin | C Minor | 2 | 5A | 82 BPM | ||
| Versailles | Philipp Alexander Geitmann | E♭ Minor | 1 | 2A | 106 BPM | ||
| Oppsummering | Film Symphony Orchestra | G Minor | 2 | 6A | 87 BPM | ||
| L'An 1812 | Wojciech Kilar | A Major | 4 | 11B | 109 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Warten | Klaus Doldinger | A♭ Major | 0 | 4B | 111 BPM | ||
| Orchestra march in automn | Jalaapeno | C Major | 0 | 8B | 75 BPM |