"Tiles" by Chuck Johnson had its release date on November 21, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 7 in the song's album "Shadows On The Green". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tiles's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tiles by Chuck Johnson having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pax Tennesseanna | Luke Schneider | B Major | 2 | 1B | 67 BPM | ||
| Plainsong | Joe Harvey-Whyte, Bobby Lee | A Minor | 4 | 8A | 135 BPM | ||
| Leaving Del Norte | Bruce Langhorne | A Major | 2 | 11B | 125 BPM | ||
| Pouring Down | Western Skies Motel | A Minor | 3 | 8A | 145 BPM | ||
| Balm of Gilead | Chuck Johnson | F Major | 2 | 7B | 173 BPM | ||
| A Meaningful Moment Through a Meaning(less) Process | Stars Of The Lid | A♭ Minor | 1 | 1A | 67 BPM | ||
| Darkest Clouds | Tyler Ramsey | D Minor | 3 | 7A | 131 BPM | ||
| Away | Glenn Jones | F♯ Major | 2 | 2B | 115 BPM | ||
| Salt Flats | SUSS | D Major | 1 | 10B | 82 BPM | ||
| Lost Futures | Marisa Anderson, William Tyler | D Major | 3 | 10B | 108 BPM | ||
| Harmonics | Gareth Dickson | C Major | 0 | 8B | 141 BPM | ||
| Bending | Blue Divers | F Major | 2 | 7B | 182 BPM | ||
| Meridian | Lone Mesa | A Minor | 1 | 8A | 80 BPM | ||
| On Leaving | Danny Paul Grody | E♭ Major | 3 | 5B | 105 BPM | ||
| The Living End | North Americans | G Major | 2 | 9B | 140 BPM | ||
| Sky Breaking, Clouds falling | Mason Lindahl | F Minor | 7 | 4A | 103 BPM | ||
| Canyonlands (Return to Wichita) | SUSS | D Major | 1 | 10B | 139 BPM | ||
| Y Despues | Golden Brown | G Major | 1 | 9B | 76 BPM | ||
| Blind Contour Drawing for Piano | Gregg Kowalsky | A Major | 1 | 11B | 70 BPM | ||
| Antelope Canyon | Jeffrey Silverstein | D Major | 5 | 10B | 170 BPM | ||
| Snowy Night Tale | Masayoshi Fujita | A♭ Minor | 1 | 1A | 95 BPM | ||
| Cloud Corner | Marisa Anderson | E Major | 5 | 12B | 142 BPM | ||
| On the Day You Saw the Dead Whale | Mary Lattimore | D♭ Major | 2 | 3B | 134 BPM | ||
| Silver Morning | Icebreaker | D Major | 2 | 10B | 145 BPM | ||
| Home over Yonder Variations Pt. 2 | Sarah Louise | F♯ Major | 4 | 2B | 111 BPM |