"Every Insult" by Thomas Newman had its release date on January 1, 2002. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of White Oleander (Original Motion Picture Soundtrack) by Thomas Newman. The song's track number on the album is #17 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. Every Insult is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Every Insult by Thomas Newman has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Every Insult being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unrealistic | Thomas Newman | F♯ Minor | 1 | 11A | 173 BPM | ||
| The Rule of the Parábolani | B.S.O. Varios | F♯ Minor | 2 | 11A | 65 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| Trusting | Marco Beltrami, Pete Anthony | D Minor | 0 | 7A | 88 BPM | ||
| Are You Receiving? | Clint Mansell | G Major | 3 | 9B | 137 BPM | ||
| Danger of Hell | Thomas Newman | C Minor | 0 | 5A | 78 BPM | ||
| Maybe You're My Puppet | Cliff Martinez | C Major | 1 | 8B | 61 BPM | ||
| Echoes in Time | Astrid Voix | A Major | 0 | 11B | 89 BPM | ||
| Anokhi | Thomas Newman, Hariharan, Suchismita Das, John Beasley, George Doering, Steve Tavaglione, Pedro Eustache, Jagan Ramamoorthy | D Major | 5 | 10B | 67 BPM | ||
| Hawk Punished | Ryuichi Sakamoto, alva noto, Bryce Dessner | C Major | 1 | 8B | 63 BPM | ||
| Without You | Ruth Barrett | A♭ Major | 2 | 4B | 171 BPM | ||
| The Drive To Paris | John Powell | C Major | 0 | 8B | 105 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| Mary Ditches Her Doll | Dario Marianelli | B♭ Major | 1 | 6B | 69 BPM | ||
| Action at a distance | Max Richter | F Minor | 1 | 4A | 67 BPM | ||
| Journey Away | Lisa Gerrard | G Major | 3 | 9B | 102 BPM | ||
| Trouble At Home | Andrea Guerra | A Major | 1 | 11B | 104 BPM | ||
| Are You Watching Closely? | The Prestige | E Minor | 2 | 9A | 173 BPM | ||
| Spartanette | Thomas Newman | B♭ Major | 6 | 6B | 185 BPM | ||
| The Nursery | Clint Mansell | C Major | 1 | 8B | 64 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| Locke At It This Way | Michael Giacchino | C Major | 0 | 8B | 100 BPM | ||
| The Last Seven Days | Howard Shore | C Major | 0 | 8B | 70 BPM | ||
| Pain and Anguish | Howard Shore | E♭ Major | 0 | 5B | 80 BPM |