"Unrealistic" by Thomas Newman had its release date on December 19, 2008. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Unrealistic's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Revolutionary Road". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Unrealistic is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unrealistic by Thomas Newman having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| I'll Take This One | Mark Isham | D♭ Major | 1 | 3B | 103 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM | ||
| A Good Man | Angelo Milli | A Minor | 1 | 8A | 64 BPM | ||
| Just Me and You | Ramin Djawadi | C Minor | 0 | 5A | 74 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Lúthien Tinúviel | Thomas Newman | E♭ Major | 0 | 5B | 75 BPM | ||
| Spying | Nico Muhly | F Minor | 1 | 4A | 144 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Runaway Jury | Christopher Young | F Minor | 1 | 4A | 68 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| Spotlight | Howard Shore | G Major | 0 | 9B | 68 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | C Major | 2 | 8B | 83 BPM | ||
| At Death's Door | Nicholas Britell | F♯ Minor | 1 | 11A | 68 BPM | ||
| Baby Walks | David Newman | G Major | 3 | 9B | 118 BPM | ||
| Media Event | Alan Silvestri | G Major | 1 | 9B | 84 BPM | ||
| Overture | Aaron Zigman | A♭ Major | 1 | 4B | 103 BPM | ||
| "What Are Our Odds?" | Alan Silvestri | C Major | 0 | 8B | 133 BPM | ||
| Claire And Adam | Jeff Beal | C Minor | 1 | 5A | 70 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| Time Passing II | Mark Isham | A Major | 1 | 11B | 82 BPM | ||
| The Drive To Paris | John Powell | C Major | 0 | 8B | 105 BPM |