"Act IV: Bed, Cadenza" by Philip Glass Ensemble had its release date on September 28, 1993. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass Ensemble's "Glass: Einstein on the Beach" album is number 4 out of 20. On top of that, United States appears to be the country where this track was created. Act IV: Bed, Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act IV: Bed, Cadenza by Philip Glass Ensemble to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glassworks: VI. Closing | Signal, Michael Riesman | E♭ Major | 1 | 5B | 130 BPM | ||
| Glassworks: IV. Rubric | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 6 | 5B | 95 BPM | ||
| Songs from Liquid Days: No. 6, Forgetting | Philip Glass, Michael Riesman | E♭ Major | 1 | 5B | 132 BPM | ||
| Second Self-Portrait Series | Rachel Grimes, Rachel's | D Minor | 2 | 7A | 130 BPM | ||
| I’ll Read You A Story | Colleen | E Major | 2 | 12B | 110 BPM | ||
| Increase | David Lang, Alarm Will Sound, Alan Pierson | F Minor | 4 | 4A | 120 BPM | ||
| Gnossienne No. 1 | Erik Satie, Reinbert de Leeuw | F Minor | 0 | 4A | 70 BPM | ||
| Deep Cave | Ernst Reijseger | C Major | 2 | 8B | 83 BPM | ||
| Perpetuum Mobile - 2001 Digital Remaster | Penguin Cafe Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Jack Montparnasse | VITMAY | G Major | 1 | 9B | 149 BPM | ||
| Miracle at Sunset - Organ Version | John Baggaley | E Minor | 1 | 9A | 134 BPM | ||
| Shaker Loops: A Final Shaking (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 72 BPM | ||
| Under Siege | Warren Ellis | D Minor | 1 | 7A | 181 BPM | ||
| Knee 4 | Philip Glass Ensemble | E Minor | 1 | 9A | 135 BPM | ||
| Obsolete Objects | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 2 | 8A | 162 BPM | ||
| In the Upper Room: Dance VIII | Philip Glass, Philip Glass Ensemble, Michael Riesman | F Minor | 2 | 4A | 168 BPM | ||
| Gnossienne No. 3 | Erik Satie, Reinbert de Leeuw | A Minor | 0 | 8A | 129 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Cold Front | Evgueni Galperine, Sergei Nakariakov | F♯ Major | 2 | 2B | 109 BPM | ||
| Music for 18 Musicians: Section IIIB | Steve Reich | E Major | 3 | 12B | 111 BPM | ||
| The Garden Is Becoming A Robe Room - 2004 Digital Remaster | Michael Nyman | E Minor | 3 | 9A | 73 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Railroad (Travel Song) | Meredith Monk, Bruce Brubaker | E Minor | 1 | 9A | 190 BPM | ||
| In the Upper Room: Dance I | Philip Glass, Michael Riesman | D Minor | 1 | 7A | 200 BPM | ||
| Ho Renomo | Cluster, Brian Eno | D Major | 2 | 10B | 114 BPM |