- BPM
- 120
- Key
- E Minor
- Camelot
- 9A
Fifth Gear by Thomas Hewitt Jones Song Details
"Fifth Gear" by Thomas Hewitt Jones had its release date on February 22, 2019. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Fifth Gear's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Contemporary String Quartet by Thomas Hewitt Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Fifth Gear's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Fifth Gear by Thomas Hewitt Jones is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.056 dB
- Acousticness
- 70%
- Danceability
- 35%
- Energy
- 23%
- Instrumentalness
- 91%
- Liveness
- 16%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Blessed Be That Maid Mary | St Martin's Voices | F Major | 1 | 7B | 88 BPM | |
 | Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | |
 | The Mass: Agnus Dei | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | |
 | In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | |
 | Spirits of the Night, Shades of Grief (feat. Eleanor Turner) | Thomas Hewitt Jones | F Major | 1 | 7B | 125 BPM | |
 | Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | |
 | The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | |
 | Das neugeborne Kindelein, BuxWV 13 | Dietrich Buxtehude, Anna Gschwend, Lucia Napoli, Sören Richter, Christian Wagner, La Petite Bande, Sigiswald Kuijken | A♭ Minor | 1 | 1A | 89 BPM | |
 | The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 78 BPM | |
 | The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | |
 | Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | |
 | The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | |
 | Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | |
 | Genesis | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | D Minor | 3 | 7A | 70 BPM | |
 | Beth’s Theme | Carducci String Quartet, Thomas Hewitt Jones | E♭ Minor | 0 | 2A | 85 BPM | |
 | Shenandoah | The Concordia Choir, René Clausen | E Major | 1 | 12B | 126 BPM | |
 | All Hail the Power of Jesus | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 2 | 10B | 139 BPM | |
 | The Seeker | James Turnbull, Thomas Hewitt Jones, Bromley Radio Orchestra | F Minor | 3 | 4A | 67 BPM | |
 | Albinoni / Giazotto: The Beatitudes (Adagio) | Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn | C Minor | 2 | 5A | 95 BPM | |
 | Beatitudes | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | D Major | 0 | 10B | 85 BPM | |
 | Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM | |
 | Down by the Salley Gardens | Thomas Hewitt Jones, James Turnbull, Vivum Orchestra | G Major | 3 | 9B | 89 BPM | |
 | O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | |
 | Lullaby for Elliott | Thomas Hewitt Jones | E♭ Major | 0 | 5B | 69 BPM |
- ISRC
- GBFSF1900309
- Label
- L-M Records/RCA Records