"Lullaby for Elliott" by Thomas Hewitt Jones had its release date on May 14, 2020. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Lullaby for Elliott's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Lullaby for Elliott and no other songs are present in the album, we classify this track as a single. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Lullaby for Elliott is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lullaby for Elliott by Thomas Hewitt Jones to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shenandoah | The Concordia Choir, René Clausen | E Major | 1 | 12B | 126 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Going Cuckoo | Funny Song Studio, Sounds Reel, Thomas Hewitt Jones | A Minor | 2 | 8A | 151 BPM | ||
| The Passing of the Year: No. 7, Ring out, wild bells | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | E Minor | 0 | 9A | 73 BPM | ||
| Sweet Beginning | Thomas Hewitt Jones | A Major | 1 | 11B | 93 BPM | ||
| The Three Drovers - Arr. Luke Byrne and Lyn Williams | William G. James, John Wheeler, Gondwana Voices, Christina Leonard, Jem Harding, Genevieve Lang, Jess Ciampa, Maria Lindsay, Emma Jardine, Nicole Forsyth, Kristy Conrau, Jaan Pallandi, Lyn Williams | G Major | 2 | 9B | 123 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Winter Wedding Dance | Thomas Hewitt Jones & The Chamber Orchestra of London | G Minor | 3 | 6A | 110 BPM | ||
| As with gladness men of old | Traditional, Choir of Clare College, Cambridge, Graham Ross, Michael Papadopoulos | A Minor | 1 | 8A | 69 BPM | ||
| O King of the Nations (O Rex Gentium - 22 December) | David Ogden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| Emmanuel, God with Us (Mt 2:1-12) | The Vigil Project | D Major | 2 | 10B | 84 BPM | ||
| The Winter's Tale, Op. 18: I. Siciliana | Lars-Erik Larsson, Jerker Johansson, Göteborg Wind Orchestra | E Minor | 1 | 9A | 144 BPM | ||
| Andante Festivo JS 34b - Live | Jean Sibelius, Yamagata Symphony Orchestra, Chiaki Murakawa | G Major | 1 | 9B | 77 BPM | ||
| How Still He Rests | Brent Pierce, Utah State University Chamber Singers, Cory Evans, Kristin Mumford, Mindy Barney | D Major | 1 | 10B | 75 BPM | ||
| All Hail the Power of Jesus | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 2 | 10B | 139 BPM | ||
| Drama Queen March | Funny Song Studio, Sounds Reel, Thomas Hewitt Jones | B Minor | 2 | 10A | 90 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Bloch: Prayer (From Jewish Life) | Ernest Bloch, Poyraz Baltacıgil | F Minor | 1 | 4A | 134 BPM | ||
| Ad te levavi | Dominik Dieterle, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 86 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| The Armed Man (Ensemble Version): XII. Benedictus | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Jamal Aliyev | G Major | 2 | 9B | 127 BPM | ||
| The Most Annoying Song Ever | Funny Song Studio, Thomas Hewitt Jones, Sounds Reel | F♯ Minor | 4 | 11A | 80 BPM | ||
| Requiem: VIII. In paradisum | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough | D Major | 0 | 10B | 83 BPM | ||
| Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM |