Swan Lake Suite, Op. 20a: II. Waltz (Arr. E. Langer for piano 4 hands) by Pyotr Ilyich Tchaikovsky, Aurora Duo Song Details

Pyotr Ilyich Tchaikovsky, Aurora Duo's 'Swan Lake Suite, Op. 20a: II. Waltz (Arr. E. Langer for piano 4 hands)' had a release date set for January 27, 2008. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Tchaikovsky: Ballet Suites (Transcriptions for Piano 4 Hands)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Swan Lake Suite, Op. 20a: II. Waltz (Arr. E. Langer for piano 4 hands) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Swan Lake Suite, Op. 20a: II. Waltz (Arr. E. Langer for piano 4 hands) by Pyotr Ilyich Tchaikovsky, Aurora Duo having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.03 dB
Acousticness: 99%
Danceability: 45%
Energy: 15%
Instrumentalness: 92%
Liveness: 10%
Loudness: 68%
Speechiness: 4%
Valence: 38%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli)	Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa	G Minor	3	6A	116 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Toccata and Fugue in D minor	Johann Sebastian Bach, William McVicker	D Minor	0	7A	72 BPM
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	B Major	4	1B	113 BPM
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls	Igor Stravinsky, Teodor Currentzis, musicAeterna	B♭ Major	3	6B	120 BPM
Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante	Alexander Borodin, Borodin Quartet	F Major	3	7B	96 BPM
Autumn Dream	Archibald Joyce, Victor Makarov, Exemplary Orchestra of Interior Forces of USSR MOI	F♯ Major	2	2B	178 BPM
Samson et Dalila: Bacchanale	Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist	D Minor	1	7A	122 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo	Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti	F♯ Major	0	2B	88 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	128 BPM
Scheherazade: Sea Birds	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Major	1	12B	46 BPM
Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song]	Felix Mendelssohn, Péter Nagy	G Major	0	9B	101 BPM
Les Sylphides: 7. Valse	Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge	D♭ Minor	1	12A	120 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa	Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart	D Minor	1	7A	180 BPM
Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	74 BPM
Swan Lake: No. 9 Finale	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden	E Major	2	12B	134 BPM
IV. In the Hall of the Mountain King	Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud	G Major	1	9B	90 BPM
Serenade in C Major, Op. 48: III. Elegie	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D Major	1	10B	89 BPM
Swan Lake, Op. 20, Pt. 2: IV. Danses des petits cygnes	Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Nicolae Moldoveanu	F♯ Minor	0	11A	109 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM