- BPM
- 80
- Key
- A♭ Major
- Camelot
- 4B
Panis Angelicus by César Franck, Aled Jones, English Session Orchestra Song Details
"Panis Angelicus" by César Franck, Aled Jones, English Session Orchestra had its release date on January 1, 2002. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Aled Jones / Aled by Aled Jones. Panis Angelicus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Panis Angelicus by César Franck, Aled Jones, English Session Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 7%
- Loudness
- -19.927 dB
- Acousticness
- 97%
- Danceability
- 18%
- Energy
- 9%
- Instrumentalness
- 21%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM | |
 | Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | |
 | Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | G Minor | 1 | 6A | 73 BPM | |
 | 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | |
 | 3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | |
 | Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM | |
 | Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | |
 | Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | |
 | Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | |
 | Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | |
 | Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | |
 | Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | |
 | Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | |
 | Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | |
 | Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | |
 | Piano Concerto No. 1 in C Minor, Op 33: I. Allegro | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | G Major | 2 | 9B | 79 BPM | |
 | The Lark | Mily Balakirev, Mikhail Glinka, Olga Scheps | B♭ Minor | 0 | 3A | 72 BPM | |
 | The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 3: Dido's Lament (Arr. Diluka for Piano) | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | Vater Unser (Version for Cello and Piano) | Arvo Pärt, Camille Thomas, Julien Brocal | A Minor | 0 | 8A | 63 BPM | |
| Sonata for Violin and Piano in A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Kaja Danczowska, Krystian Zimerman | D Major | 0 | 10B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records