"THE POWER OF LOVE (feat. Mariam Battistelli, Valentino Buzza)" by Mario Conte, Mariam Battistelli, Valentino Buzza had its release date on January 20, 2025. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Italy. In terms of popularity, THE POWER OF LOVE (feat. Mariam Battistelli, Valentino Buzza) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With THE POWER OF LOVE (feat. Mariam Battistelli, Valentino Buzza) by Mario Conte, Mariam Battistelli, Valentino Buzza having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | G Major | 1 | 9B | 82 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 76 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| DANZA DELLE FURIE, ORFEO E EURIDICE | Mario Conte | D♭ Minor | 2 | 12A | 108 BPM | ||
| Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
| Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
| Don Giovanni, K. 527, Act I: No. 3, Ah chi mi dice mai – Udisti? qualche bella | Wolfgang Amadeus Mozart, Agnes Baltsa, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 113 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Trois mélodies, Op. 23: No. 1, Les berceaux | Dilyana Georgieva, Galina Apostolova | B♭ Major | 1 | 6B | 176 BPM | ||
| Norma, Act I, Scene 3: Casta Diva | Vincenzo Bellini, Felice Romani, Marina Rebeka, Marko Mimica, Coro del Teatro Real, Madrid, John Fiore, Orquesta del Teatro Real, Madrid | G Major | 1 | 9B | 171 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | ||
| Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
| UBI CARITAS (feat. Coro di Voci Bianche del Teatro Regio Torino) | Mario Conte, Coro di Voci Bianche del Teatro Regio Torino | D♭ Minor | 2 | 12A | 108 BPM | ||
| L'Euridice, Scene 6: Gioite al canto mio (Arr. Pluhar) | Jacopo Peri, Rolando Villazón, L'Arpeggiata, Christina Pluhar | G Major | 4 | 9B | 141 BPM | ||
| Gianni Schicchi: Aria "O mio babbino caro" | Giacomo Puccini, Royal Philharmonic Orchestra, Charles Dutoit, Deborah Norman | A♭ Major | 2 | 4B | 174 BPM | ||
| L'elisir d'amore: "Una furtiva lagrima" | Gaetano Donizetti, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | B♭ Minor | 1 | 3A | 78 BPM | ||
| L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
| Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Prunier, Magda) | Giacomo Puccini, Angela Gheorghiu, William Matteuzzi, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
| Preghiera | Carmine Coppola | C Major | 2 | 8B | 85 BPM | ||
| Nessun Dorma! | Mario del Monaco | D♭ Minor | 1 | 12A | 76 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM |