"La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva"" by Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi had its release date on January 1, 2005. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #12 out of 38 tracks. La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" by Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Bohème / Act 3: "Sa dirmi, scusi" - Live | Giacomo Puccini, Anna Netrebko, Gerald Haeussler, Tiziano Bracci, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B Major | 0 | 1B | 65 BPM | ||
| Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
| Les pêcheurs de perles / Act II: No. 8 Chanson: "De mon amie, fleur endormie" - "Léila! Léila! Dieu puissant" | Georges Bizet, Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti | E Minor | 2 | 9A | 77 BPM | ||
| L'elisir d'amore / Act II: "Io son ricco e tu sei bella" | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 117 BPM | ||
| Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Non ! Je ne veux plus t'écouter !" (Don José, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Roberto Alagna, Orchestre National Du Capitole De Toulouse | G Minor | 3 | 6A | 164 BPM | ||
| La traviata / Act II: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | ||
| Rigoletto, Act I: Che m'ami, deh, ripetimi - Live in Rome, 1966 | Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Giovanni Ciavola, Rita Bezzi Brada, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini | D♭ Major | 2 | 3B | 80 BPM | ||
| Die Walküre / Erster Aufzug: "Schläfst du, Gast?" | Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti | E Minor | 2 | 9A | 164 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| Verdi: Messa da Requiem: VII. Quid sum miser | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Carmen, Act III, No.24 Finale: Prends garde à toi Carmen (Don José/Le Dancaïro/Bohémiens et Bohémiennes/Le Remendado/Carmen/Micaëla/Frasquita/Mercédès) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 4 | 3B | 87 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | ||
| Die Fledermaus / Act 1: "Komm mit mir zum Souper" | Johann Strauss II, Wolfgang Brendel, Olaf Bär, Wiener Philharmoniker, André Previn | E Major | 2 | 12B | 104 BPM | ||
| Il barbiere di Siviglia, Act I: No. 6, Aria. La calunnia è un venticello | Gioachino Rossini, Ruggero Raimondi, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | ||
| Die Fledermaus / Act 2: "Genug damit, genug" | Johann Strauss II, Brigitte Fassbaender, Olaf Bär, Kiri Te Kanawa, Karin Gottling-Poltner, Edita Gruberova, Wolfgang Brendel, Tom Krause, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | G Major | 3 | 9B | 64 BPM | ||
| L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 95 BPM | ||
| Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 4: "Nature immense" (Faust) | Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 72 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM |