- BPM
- 80
- Key
- D♭ Major
- Camelot
- 3B
Rigoletto, Act I: Che m'ami, deh, ripetimi - Live in Rome, 1966 by Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Giovanni Ciavola, Rita Bezzi Brada, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini Song Details
"Rigoletto, Act I: Che m'ami, deh, ripetimi - Live in Rome, 1966" by Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Giovanni Ciavola, Rita Bezzi Brada, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini had its release date on 2010. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Rigoletto, Act I: Che m'ami, deh, ripetimi - Live in Rome, 1966's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pavarotti – The Opera Collection 2: Verdi: Rigoletto (Live in Rome, 1966)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Rigoletto, Act I: Che m'ami, deh, ripetimi - Live in Rome, 1966 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Rigoletto, Act I: Che m'ami, deh, ripetimi - Live in Rome, 1966 by Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Giovanni Ciavola, Rita Bezzi Brada, Orchestra Del Teatro Dell'Opera Di Roma, Carlo Maria Giulini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 15%
- Loudness
- -17.836 dB
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 15%
- Instrumentalness
- 21%
- Liveness
- 69%
- Loudness
- 70%
- Speechiness
- 7%
- Valence
- 8%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | |
 | La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" | Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | |
 | Ariane et Barbe-bleue, Act I: A mort! A mort! - L'avezvous vue dans le carrosse? (Voices of the Crowd, Single Voices) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | E Major | 0 | 12B | 87 BPM | |
 | Un ballo in maschera / Act 2: Ecco l'orrido campo | Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | |
 | Carmen / Act 2: Quintette: "Nous avons en tête une affaire!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Heinz Zednik, Gino Quilico, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 72 BPM | |
 | Lucia di Lammermoor / Act 3: "Orrida è questa notte" | Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 49 BPM | |
 | La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | |
| Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | |
 | Nabucco / Act IV: Dio di Giuda! | Giuseppe Verdi, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 1 | 8B | 68 BPM | |
 | Tosca, Act II: Sciarrone, che dice il cavalier? | Giacomo Puccini, Sherrill Milnes, Paul Hudson, Mirella Freni, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 178 BPM | |
 | Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Coro, Calaf, Ping) | Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Franco Corelli, Franco Ricciardi, Giuseppe Morresi, Guido Mazzini, Piero de Palma, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 5 | 2A | 94 BPM | |
 | Caro mio ben - Live in Modena, 1987 | Tommaso Giordani, Luciano Pavarotti, Robert Kettelson | F Major | 1 | 7B | 69 BPM | |
 | L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | |
 | Verdi: Aida, Act 3: "Aida!....Tu non m'ami" (Radamès, Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Major | 3 | 7B | 168 BPM | |
 | Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | |
 | Non ti scorder de me (Furnò) - 2010 Digital Remaster | Symphonie-Orchester Graunke, Willy Mattes, Nicolai Gedda | F Minor | 1 | 4A | 174 BPM | |
 | L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | |
| Silenzio cantatore | Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Minor | 2 | 9A | 83 BPM | |
 | Gloria del' Egitto (from Aida) | Singverein der Gesellschaft der Musikfreunde, Herbert von Karajan, Vienna Philharmonic Orchestra | G Major | 3 | 9B | 66 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | |
 | Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | |
 | Non ti scordar di me (Orch. Mancini) - Live at the Llangollen International Musical Eisteddfod, 1995 | Ernesto de Curtis, Luciano Pavarotti, BBC Philharmonic, Leone Magiera | E♭ Major | 1 | 5B | 80 BPM | |
| Puccini: Turandot, Act 1: "Popolo di Pekino!" (Il mandarino, La Folla, Guardie, Liù) | Giacomo Puccini, Renata Scotto, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 95 BPM | |
 | Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | |
 | Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
- ISRC
- GBF072340011
- Label
- L-M Records/RCA Records