Radha Krishnaji Maharaj's ' "Murali Prem Ri Bajayi Re Nandlala" was released on its scheduled release date, January 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Radha Krishnaji Maharaj's "Mithe Ras Se Bharyodi Radharani" album is number 4 out of 7. On top of that, India appears to be the country where this track was created. Murali Prem Ri Bajayi Re Nandlala is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Murali Prem Ri Bajayi Re Nandlala by Radha Krishnaji Maharaj to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mukh Duniya Modegi | Sadhvi Poornima | D♭ Minor | 6 | 12A | 81 BPM | ||
| Shiv Ki Jata Se | Lakhbir Singh Lakha | D♭ Major | 5 | 3B | 89 BPM | ||
| Man Ho Ja Diwana Re Shri Shyam Ji Charno Main | Sanju Sharma | C Major | 7 | 8B | 89 BPM | ||
| Maala Phere Te Ram Ram Kare Bhilni | Sher Singh | G Minor | 7 | 6A | 87 BPM | ||
| Balako Ne Samjo | Devayat Khavad | D♭ Major | 6 | 3B | 140 BPM | ||
| Rangai Jaane Rang Ma | Rekha Trivedi, Kirti Punekar | B♭ Minor | 5 | 3A | 100 BPM | ||
| Pachasahit Layatit | Baba Maharaj Satarkar | D Minor | 7 | 7A | 116 BPM | ||
| Shri Radha Govind(Kirtan) | Bhaiya Krishan Das Ji | B Major | 6 | 1B | 132 BPM | ||
| Dhadila Nirop Saibabani Mala | Sai bhakti, Rajesh Ranshur | E♭ Minor | 9 | 2A | 118 BPM | ||
| Rama Rama Ravikula Soma | Sri Sathya Sai Bhajans | D Minor | 8 | 7A | 72 BPM | ||
| Mahre Sir Par Hai Baba | Sanjay Mittal | B♭ Minor | 5 | 3A | 88 BPM | ||
| Jay Devi Bhavani - Aarti | Manoj Bhadakwad | C Major | 8 | 8B | 130 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Tere Poojan Ko Hanuman | Gyanendra Sharma | A♭ Major | 7 | 4B | 149 BPM | ||
| Nand Ke Anand Bhayo | Vinod Agarwal | F♯ Major | 7 | 2B | 93 BPM | ||
| Guru Sutar Amucha Bhala | Pramod Haryan | E♭ Major | 9 | 5B | 112 BPM | ||
| Vrandavan Ke Baanke Bihari | Bhaiya Krishan Das Ji | F♯ Major | 5 | 2B | 92 BPM | ||
| ALI KE LAAL SE HAI SILSILA REFAI KA | Ar refai, Anis Nawab | B Minor | 6 | 10A | 100 BPM | ||
| Mera Aapki Kripa Se Sab Kaam Ho Raha Hai | Paras Jain | F♯ Major | 7 | 2B | 80 BPM | ||
| Ram Nam Bolo Man Hare Ram Bolo Re | Pandit Pradeep Ji Mishra | G Minor | 3 | 6A | 139 BPM | ||
| Likh Do Mare Rom Rom Me | Radha Krishnaji Maharaj | F♯ Major | 4 | 2B | 144 BPM | ||
| Gaura Tor Angana | Rajni Pallavi | E Major | 3 | 12B | 68 BPM | ||
| Aaye Tumhre Dwar He Ganraja | Shahnaz Akhtar | G Major | 7 | 9B | 159 BPM | ||
| Sathi Hamara Kaun Banega | Sanjay Pareek | A♭ Major | 7 | 4B | 87 BPM | ||
| Nirdhan Kahe Dhanwan Sukhi Tulsidas Chaupai | Chetna Shukla | D♭ Minor | 7 | 12A | 160 BPM |