"Calling All Autobots" by Steve Jablonsky had its release date on June 23, 2017. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Calling All Autobots's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Transformers: The Last Knight (Music from the Motion Picture)". In this album, this song's track order is #33. Furthermore, we believe that the track originated from United States. Calling All Autobots is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Calling All Autobots by Steve Jablonsky having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Legendary | Epic Soul Factory, Cesc Vilà, Fran Soto | E Minor | 5 | 9A | 86 BPM | ||
| Today We Hunt | Steve Jablonsky | E Minor | 3 | 9A | 161 BPM | ||
| Lords Mobile: Champion's Overture | Klaus Badelt, London Symphony Orchestra | E Minor | 5 | 9A | 80 BPM | ||
| Death of a Master | Kevin Kiner, Takeshi Furukawa | G Minor | 2 | 6A | 67 BPM | ||
| Overture - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 1 | 3B | 73 BPM | ||
| Will And Elizabeth | Klaus Badelt | D Major | 7 | 10B | 180 BPM | ||
| Fallen Hero | Jongnic Bontemps | D Major | 3 | 10B | 140 BPM | ||
| De Leon Begins | Nathan Furst | C Major | 4 | 8B | 80 BPM | ||
| The End | Harald Kloser, Thomas Wander | F Major | 2 | 7B | 102 BPM | ||
| Voyage to Atlantis | Future World Music | E Minor | 7 | 9A | 150 BPM | ||
| Finish What The Jester Started / Main Title | Christopher Drake | D Minor | 5 | 7A | 120 BPM | ||
| Interstellar: Interstellar Main Theme | 2Hooks | A Minor | 2 | 8A | 81 BPM | ||
| True Strength - Epic Music | John Dreamer | C Major | 7 | 8B | 105 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Assassin's Creed Origins Main Theme | Sarah Schachner, Assassin's Creed | A♭ Major | 5 | 4B | 131 BPM | ||
| Day One | Twelve Titans Music | B♭ Major | 4 | 6B | 80 BPM | ||
| Arkham Origins Suite | Christopher Drake | G Minor | 6 | 6A | 140 BPM | ||
| A Hero Rides With Us | Epic Score | G Major | 7 | 9B | 65 BPM | ||
| Duality | Twelve Titans Music | A Minor | 4 | 8A | 160 BPM | ||
| Seppuku | Ilan Eshkeri | F Major | 3 | 7B | 114 BPM | ||
| Epic Music | PraskMusic | E Minor | 10 | 9A | 100 BPM | ||
| Home Team | Jongnic Bontemps | D Minor | 1 | 7A | 67 BPM | ||
| Portals | Alan Silvestri | G Major | 5 | 9B | 93 BPM | ||
| City Cadence | The Newton Brothers | B♭ Major | 1 | 6B | 90 BPM |