"Assassin's Creed Origins Main Theme" by Sarah Schachner, Assassin's Creed had its release date on October 27, 2017. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 27 in Assassin's Creed Origins (Original Game Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Assassin's Creed Origins Main Theme's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Assassin's Creed Origins Main Theme by Sarah Schachner, Assassin's Creed is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liberation Main Theme | Winifred Phillips, Assassin's Creed | E Minor | 8 | 9A | 189 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Antiphon | Nicholas Britell | C Minor | 4 | 5A | 150 BPM | ||
| Vegurinn til Valhallar - The Way to Valhöll | Einar Selvik, Assassin's Creed | D Major | 8 | 10B | 155 BPM | ||
| New York's Only Spider-Man | John Paesano | A♭ Major | 6 | 4B | 159 BPM | ||
| Labored and Lost | Lorne Balfe, Assassin's Creed | G Minor | 2 | 6A | 78 BPM | ||
| Middle-earth: Shadow of War: Shelob - Reveal Trailer Music - Cover Version | Sofa Sounds | G Major | 6 | 9B | 120 BPM | ||
| Assassins Of Kings | Adam Skorupa, Krzysztof Wierzynkiewicz | C Major | 6 | 8B | 126 BPM | ||
| The High Seas | Brian Tyler, Assassin's Creed | C Major | 5 | 8B | 130 BPM | ||
| The Guardian | Elitsa Alexandrova, Assassin's Creed | D♭ Major | 6 | 3B | 130 BPM | ||
| Sentinel Prime - From "Transformers: Dark of the Moon" | London Music Works | G Minor | 7 | 6A | 110 BPM | ||
| Aloy's Theme - Forbidden West (feat. Julie Elven) | Joris de Man, Julie Elven | A Minor | 3 | 8A | 120 BPM | ||
| Atlantis of the Sands | Greg Edmonson | D Major | 5 | 10B | 141 BPM | ||
| The Order of Ancients | Sarah Schachner, Assassin's Creed | C Major | 2 | 8B | 63 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| London Is Waiting | Austin Wintory, Assassin's Creed | E Minor | 4 | 9A | 179 BPM | ||
| A Friend | Ludwig Göransson | D♭ Minor | 2 | 12A | 105 BPM | ||
| Assassin's Creed Origins Main Theme | Sarah Schachner, Assassin's Creed | A♭ Major | 5 | 4B | 131 BPM | ||
| The Siege of Paris | Stephanie Economou, Assassin's Creed | D♭ Major | 7 | 3B | 168 BPM | ||
| Modern Warfare II | Sarah Schachner | F Major | 5 | 7B | 155 BPM | ||
| City On The Mesa - Part 3 - Onwards to Meridian | Joris de Man | C Minor | 1 | 5A | 136 BPM | ||
| The Face of Our New Hope | Ludvig Forssell | D♭ Minor | 1 | 12A | 122 BPM | ||
| City of Hope | John Paesano | C Major | 5 | 8B | 105 BPM | ||
| Lord Shimura | Ilan Eshkeri | C Minor | 4 | 5A | 101 BPM | ||
| Fare Thee Well | Brian Tyler | C Minor | 2 | 5A | 108 BPM |