"Missa brevis: IV. Benedictus" by Leonard Bernstein, Stephen Layton, Polyphony had its release date on June 28, 2015. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 21 in American Polyphony: Barber, Copland, Bernstein, R. Thompson by Polyphony, Randall Thompson, Stephen Layton, Samuel Barber, Leonard Bernstein, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa brevis: IV. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa brevis: IV. Benedictus by Leonard Bernstein, Stephen Layton, Polyphony is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enigma Variations, Op. 36: Var. 8. Allegretto "W.N." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| Lohengrin, Act I: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
| Symphony No. 25 in G Minor, K. 183: IV. Allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Minor | 2 | 6A | 94 BPM | ||
| Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Minor | 0 | 9A | 68 BPM | ||
| Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
| The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | G Minor | 2 | 6A | 112 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| Romeo and Juliet Suite No. 1, Op. 64bis: VII. Death of Tybalt (Live) | Sergei Prokofiev, Riccardo Muti, Chicago Symphony Orchestra | C Minor | 4 | 5A | 149 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 60 BPM | ||
| Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Finale. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
| 歌劇「妖精ヴィッリ」: 妖精たちの踊り | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| Symphony No. 1 "Jeremiah": III. Lamentation | Leonard Bernstein, Jennifer Johnson Cano, Baltimore Symphony Orchestra, Marin Alsop | B Minor | 0 | 10A | 79 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | C Major | 2 | 8B | 125 BPM |