George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's ' "O Death, Where Is Thy Sting - Counter Tenor/Tenor" was released on its scheduled release date, January 1, 1987. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 27 out of 54. On top of that, United States appears to be the country where this track was created. O Death, Where Is Thy Sting - Counter Tenor/Tenor is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of O Death, Where Is Thy Sting - Counter Tenor/Tenor by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Torelli / Arr. Tarr: Sonata in D Major, G. 1: II. Allegro | Giuseppe Torelli, Alison Balsom, Pavlo Beznosiuk, Academy of Ancient Music | D♭ Major | 3 | 3B | 112 BPM | ||
| Veni Emmanuel (O Come, O Come, Emmanuel) [Sung in English]: O Come, O Come, Emmanuel | Traditional, Westminster Choir, Daniel Beckwith, Philadelphia Concerto Soloists, Joseph Flummerfelt | F♯ Major | 1 | 2B | 144 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": I. Vivace – Grave | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 74 BPM | ||
| The Lord's My Shepherd | The Oxford Trinity Choir | G Major | 2 | 9B | 69 BPM | ||
| Messiah, HWV 56 / Pt. 3: The Trumpet Shall Sound | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | D Major | 2 | 10B | 116 BPM | ||
| Bogoróditse Dyévo | Traditional, Choir of King's College, Cambridge, Stephen Cleobury | A Major | 0 | 11B | 85 BPM | ||
| Requiem: V. Agnus Dei (Duke Dobing, flute) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia, Sinfonia Of London | F Major | 0 | 7B | 96 BPM | ||
| Gloria: Domine Deus, Rex coelestis | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 66 BPM | ||
| Messiah, HWV 56: Part 1: And the glory of the Lord (Chorus) | Nikolaus Harnoncourt | A♭ Major | 2 | 4B | 177 BPM | ||
| Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 7 Choral, Recitativ: "Er ist auf Erden kommen arm" / "Wer will die Liebe recht erhöhn" | Johann Sebastian Bach, Franz Crass, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | G Major | 1 | 9B | 87 BPM | ||
| Mit Wurd und Hoheit Angetan (From Die Shopfung) | Franz Joseph Haydn, The Priests, Sally Herbert | C Major | 3 | 8B | 109 BPM | ||
| Handel: Coronation Anthem No. 3, HWV 260 "The King Shall Rejoice": II. Exceeding Glad Shall He Be | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | A♭ Major | 1 | 4B | 124 BPM | ||
| Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 8, Großer Herr, o starker König | Johann Sebastian Bach, La Petite Bande | D♭ Major | 2 | 3B | 90 BPM | ||
| Messiah, HWV 56 / Pt. 3: 48. "O death where is thy sting?" | George Frideric Handel, Michael Chance, Howard Crook, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 93 BPM | ||
| Magnificat in D Major, BWV 243: Magnificat anima mea (Chorus, Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 5 | 10B | 96 BPM | ||
| He Trusted In God - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | C Minor | 2 | 5A | 123 BPM | ||
| O Thou That Tellest Good Tidings | The Choir and Orchestra of Pro Christe | D Major | 1 | 10B | 86 BPM | ||
| Coventry Carol | Traditional, Barnaby Smith, Voces8 | G Minor | 0 | 6A | 84 BPM | ||
| Messiah, HWV 56 / Pt. 1: And The Angel Said Unto Them | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | A Major | 1 | 11B | 86 BPM | ||
| Der Messias - In deutscher Sprache / Erster Teil: II. Arie. Tenor "Alle Tale macht hoch erhaben" | George Frideric Handel, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram | G Major | 1 | 9B | 96 BPM | ||
| Behold, And See If There Be Any Sorrow | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | F Minor | 3 | 4A | 72 BPM | ||
| O Jesulein süss, BWV 493 | Choir of King's College, Cambridge, Stephen Cleobury | B Major | 1 | 1B | 75 BPM | ||
| III. Every valley shall be exalted | London Philharmonic Orchestra | E Major | 2 | 12B | 95 BPM | ||
| Christus: III. Choral "Es wird ein Stern aus Jacob aufgehn" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Major | 2 | 11B | 76 BPM | ||
| God Rest Ye Merry Gentlemen | Leontyne Price | E Minor | 2 | 9A | 138 BPM |