- BPM
- 130
- Key
- F Major
- Camelot
- 7B
Twenty Ways Upon a Bell by Rolf Lislevand Song Details
Rolf Lislevand's 'Twenty Ways Upon a Bell' had a release date set for November 28, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rolf Lislevand's "Jul I Gammel Tid" album is number 7 out of 10. Based on our statistics, Twenty Ways Upon a Bell's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Twenty Ways Upon a Bell by Rolf Lislevand to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -20.075 dB
- Acousticness
- 98%
- Danceability
- 47%
- Energy
- 12%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | D♭ Minor | 1 | 12A | 129 BPM | |
 | A Ground in D Minor | Gottfried Finger, Maurice Steger, La Cetra | A♭ Minor | 2 | 1A | 108 BPM | |
 | Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | |
 | Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | |
 | Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | |
 | Passa Galli: Passa Galli | Giovanni Battista Vitali, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | |
 | Suite in G Minor: IV. Muzette | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | F Minor | 2 | 4A | 87 BPM | |
 | L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | |
 | Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | |
 | Passacalles per l'alfabeto falso e per tutte le lettere | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 1 | 10B | 126 BPM | |
 | Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | |
 | Intrada (Arrangement) | Pavel Josef Vejvanovsky, Rolf Lislevand, Concerto Stella Matutina | G Major | 4 | 9B | 119 BPM | |
 | Concerto for Viola d'amore, Lute, Strings and Basso Continuo in D Minor, RV 540: I. Allegro | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | D♭ Minor | 1 | 12A | 79 BPM | |
 | Ground | John Eccles, Brandon J. Acker, Douglas Balliett | F♯ Minor | 0 | 11A | 80 BPM | |
 | Lachrimae | John Dowland, Elizabeth Kenny, Theatre of Early Music | F♯ Minor | 0 | 11A | 87 BPM | |
 | Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | |
 | Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | |
 | Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | |
 | 32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | |
 | Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | |
 | Suite En Mi Mineur: Prelude, II.96 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 108 BPM | |
 | Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | |
 | Recercadas del Trattado de Glosas: Recercada sesta sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | F Major | 1 | 7B | 86 BPM | |
 | La Tarantela | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | |
 | La Saché (feat. Gwen Tual Et Nathalie Le Gaouyat) | Louis de Caix d'Hervelois, Gwen Tual Et Nathalie Le Gaouyat | A♭ Minor | 2 | 1A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records