Ralph Benatzky, Heinz Sandauer, Kleines Wiener Rundfunkorchester, Ernst Waldbrunn, Peter Gerhard, Eva Sandor, Toni Niessner's ' "Axel an der Himmelstür: Gerichtssaal. Dialog 12" was released on its scheduled release date, November 4, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 48 in Benatzky: Axel an der Himmelstür by Ralph Benatzky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Axel an der Himmelstür: Gerichtssaal. Dialog 12 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Axel an der Himmelstür: Gerichtssaal. Dialog 12 by Ralph Benatzky, Heinz Sandauer, Kleines Wiener Rundfunkorchester, Ernst Waldbrunn, Peter Gerhard, Eva Sandor, Toni Niessner is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Chianti-Lied | Rudolf Schock | G Major | 4 | 9B | 140 BPM | ||
| Jede Nacht ein neues Gluck | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Eugen Jochum, Bavarian Radio Symphony Orchestra | E Minor | 1 | 9A | 170 BPM | ||
| Tritsch-Tratsch Polka | 101 Strings Orchestra | A Major | 4 | 11B | 74 BPM | ||
| Heut' ist der schönste Tag in meinem Leben | Joseph Schmidt | B♭ Major | 4 | 6B | 96 BPM | ||
| Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Natasha's Waltz - From War and Peace (1956) | Audrey Hepburn, Nino Rota | C Major | 4 | 8B | 169 BPM | ||
| Get Me to the Church on Time | Frederick Loewe, André Rieu, Johann Strauss Orchestra | G Major | 5 | 9B | 117 BPM | ||
| Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | ||
| L'Auberge du Cheval Blanc: Au joyeux Tyrol | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Colette Riedinger | E Minor | 1 | 9A | 80 BPM | ||
| Brausteufelchen, Op. 154 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
| La Campanella | Menskes Chöre | F♯ Major | 3 | 2B | 92 BPM | ||
| Angelica-Polka francaise, Op. 123 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | D Major | 2 | 10B | 82 BPM | ||
| Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM | ||
| Fächerpolonaise - Live | Carl Michael Ziehrer, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Wedgwood Blue: Wedgewood Blue | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 0 | 6B | 121 BPM | ||
| Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Zweiter Akt: Einlage 3: Als Sigi in der Wiege lag - Was kann der Sigismund dafür, daß er so schön ist (Sigismund - Klärchen) - Musik: Robert Gilbert | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | G Minor | 5 | 6A | 134 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Liebesgeschichten sind meistens nicht wahr | Ralph Benatzky, Greta Keller, Peter Kreuder Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| Der Fliegende Holländer: Steuermann, lass die Wacht | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | G Major | 4 | 9B | 82 BPM | ||
| In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM | ||
| March from Act IV of Roméo Et Juliette (Live) | Shen Yun Symphony Orchestra | A Minor | 2 | 8A | 135 BPM | ||
| Mei Muatterl war a Weanerin | Ludwig Gruber, André Rieu, Johann Strauss Orchestra | C Minor | 3 | 5A | 93 BPM |