Rudolf Schock's 'Chianti-Lied' had a release date set for February 27, 2012. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Dein ist mein ganzes Herz by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Chianti-Lied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chianti-Lied by Rudolf Schock is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schön ist die Liebe im Hafen | Judith & Mel | G Major | 5 | 9B | 185 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
| Die Zauberflöte, K. 620 / Zweiter Aufzug: "In diesen heil'gen Hallen" | Wolfgang Amadeus Mozart, Franz Crass, Berliner Philharmoniker, Karl Böhm | F Minor | 0 | 4A | 101 BPM | ||
| How Sweet | Soma Of Boma | E Major | 0 | 12B | 78 BPM | ||
| Dwenadzad Rasboinikov - Die zwölf Räuber | The Royal Song Association Mastreechter Staar, Chantal Janzen, Bèr Schellings, Roger Moens | G Major | 1 | 9B | 84 BPM | ||
| Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
| Nabucco: Va pensiero sull'ali dorate | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 152 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Rosalie | Freddy | G Major | 5 | 9B | 88 BPM | ||
| Guter Mond, du gehst so stille | WDR Rundfunkorchester Köln, Gesangsquartett Four For Four | E Major | 2 | 12B | 80 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Hundert Jahre | Mainzer Hofsänger | G Major | 2 | 9B | 74 BPM | ||
| I puritani, Act I: Son vergin vezzosa | Vincenzo Bellini, Dame Joan Sutherland, Anita Caminada, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 123 BPM | ||
| Bella, Bella Donna | René Carol | D Major | 3 | 10B | 87 BPM | ||
| Nabucco / Act II: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM | ||
| Evening Bells | Anonymous, Andre Bielecki, Don Kosaken Chor, Serge Jaroff | E♭ Major | 2 | 5B | 89 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| Florentinische Nächte | Rudi Schuricke | A Major | 3 | 11B | 118 BPM | ||
| Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
| Chianti-Lied | Rudolf Schock | G Major | 4 | 9B | 140 BPM | ||
| Lili Marleen | Lale Andersen | E♭ Major | 2 | 5B | 134 BPM | ||
| Die Himmel rühmen der ewigen Ehre - Die Ehre Gottes in der Natur | Der Montanara Chor | C Major | 2 | 8B | 84 BPM |