"Kukulkan II: II. Water Run (Profane Well)" by David Dzubay, Indiana University New Music Ensemble had its release date on October 25, 2019. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 21 in All Water Has a Perfect Memory by David Dzubay, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Kukulkan II: II. Water Run (Profane Well)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kukulkan II: II. Water Run (Profane Well) by David Dzubay, Indiana University New Music Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Be Thou My Vision | David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 2 | 8B | 114 BPM | ||
| Trittico: III. Allegro marcato | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | G Minor | 3 | 6A | 81 BPM | ||
| A midnight dance...through the poison garden - Live | Ryan George, Ådalsbruk Musikkforening, Christian Skarbø Tenfjord | C Major | 1 | 8B | 123 BPM | ||
| Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm | Benjamin Britten, Elizabeth Bainbridge, Patricia Payne, Jonathan Summers, John Dobson, Teresa Cahill, Anne Pashley, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Minor | 4 | 9A | 76 BPM | ||
| Bass Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | E Minor | 1 | 9A | 84 BPM | ||
| Kaisermarsch, WWV 104 | Shen Yun Symphony Orchestra | B♭ Major | 2 | 6B | 117 BPM | ||
| The Wind in the Willows: III. Mister Toad | Johan de Meij, Danish Concert Band | F Major | 1 | 7B | 77 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Kukulkan II: V. Quetzalcoatal's Sacrifice (The Great Ball Court) | David Dzubay, Indiana University New Music Ensemble | A Minor | 2 | 8A | 122 BPM | ||
| King Christian II Suite, Op. 27: III. Musette | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Stravinsky: Le Chant du rossignol: II. Marche chinoise | Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste | C Major | 1 | 8B | 145 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| Meditate | Orion King | E♭ Minor | 1 | 2A | 72 BPM | ||
| Clarinet & Saxophone Concerto: III. Laurentian Rapids, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | A♭ Major | 3 | 4B | 174 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Philip Smith, New York Philharmonic, Alan Gilbert | B♭ Major | 2 | 6B | 110 BPM | ||
| John Mackey: Fanfare for Full Fathom Five | Columbus State University Wind Ensemble, Jamie L. Nix | E♭ Major | 4 | 5B | 73 BPM | ||
| Sensemayá | Silvestre Revueltas, N/A, Banda de Lalín, Bram Sniekers | B♭ Major | 1 | 6B | 90 BPM | ||
| Paris Sketches: No. 1, Saint-Germain-des-Pres | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 4 | 3B | 125 BPM | ||
| Sasparilla | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 3 | 7B | 148 BPM | ||
| Pulcinella Suite: VII. Duetto - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Kukulkan II: IV. Processional-Offering (Sacred Well) | David Dzubay, Indiana University New Music Ensemble | A Minor | 2 | 8A | 122 BPM | ||
| Medea's Dance of Vengeance, Op. 23a | Samuel Barber, Thomas Schippers, New York Philharmonic | G Major | 2 | 9B | 102 BPM | ||
| Galop Comíque (Aspects, mvt. 3) | Randall Standridge, Lodge Studio Wind Ensemble | B♭ Major | 8 | 6B | 160 BPM | ||
| Afterword | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| On the Shoulders of Giants: I. Fanfares | Peter Graham, Black Dyke Band, Nicholas Childs | G Major | 3 | 9B | 104 BPM |