"That's a Lie" by Matt Morton had its release date on August 4, 2023. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. That's a Lie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Painkiller (Soundtrack from the Netflix Series)". In this album, this song's track order is #22. That's a Lie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With That's a Lie by Matt Morton having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 立ち籠める暗雲 | Yugo Kanno | B♭ Major | 1 | 6B | 132 BPM | ||
| Captivus | Sagrifizio | E Minor | 2 | 9A | 96 BPM | ||
| Redline Fever | The Tremolo Union | F Major | 7 | 7B | 100 BPM | ||
| MI5 Headquarters | Ian Arber | C Minor | 1 | 5A | 107 BPM | ||
| The Trap | Nathan Barr | B Minor | 3 | 10A | 150 BPM | ||
| Adios Amigos | Matt Morton | E Major | 2 | 12B | 68 BPM | ||
| El Gran Hombre | aniko | F Major | 4 | 7B | 170 BPM | ||
| Sweet Poison | Liliya Kumar, Lofi Chills | D♭ Major | 2 | 3B | 105 BPM | ||
| Amaya Corporation | Ben Salisbury | D Major | 1 | 10B | 75 BPM | ||
| It's All a Deep End | Paul Leonard-Morgan | A Major | 2 | 11B | 100 BPM | ||
| Sudoku | Ben Salisbury, Geoff Barrow | F Major | 0 | 7B | 176 BPM | ||
| Occasionally Scared | Atticus Ross, Leopold Ross, Claudia Sarne | E♭ Major | 2 | 5B | 120 BPM | ||
| Evidence | Brendan Angelides, Eskmo | B♭ Major | 1 | 6B | 95 BPM | ||
| Concurrent Reality | Lovett | D♭ Minor | 4 | 12A | 192 BPM | ||
| Journey To Saturn | Anže Rozman, Andrew Christie | B Minor | 3 | 10A | 118 BPM | ||
| Freddy's Funeral | David Holmes, Brian Irvine | F Major | 3 | 7B | 128 BPM | ||
| Llegar A La Orilla | Grandes Tardes | F♯ Minor | 2 | 11A | 170 BPM | ||
| There's Nothing In There | Cliff Martinez | D♭ Minor | 2 | 12A | 164 BPM | ||
| OSR I - I | Daniel Pemberton | C Major | 2 | 8B | 87 BPM | ||
| Emergency Signal | Max Richter | D Major | 5 | 10B | 120 BPM | ||
| Remember My Lady | Sibille Crawford, Brittanni Kia, Ambra De Curdati, Royal Philarmonic Cunes | C Major | 5 | 8B | 151 BPM | ||
| Mi Padre | Grandes Tardes | E♭ Minor | 1 | 2A | 82 BPM | ||
| Trip to Neptune | Lorne Balfe | B♭ Minor | 1 | 3A | 108 BPM | ||
| Timeline | Wojciech Golczewski | C Major | 4 | 8B | 101 BPM | ||
| How Long Had I Been Back | Wojciech Golczewski | D Minor | 1 | 7A | 117 BPM |