Mohammed Rafi's 'Ab Aayee Gavanwa Ki Sari' had a release date set for December 21, 2002. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Tere Bharose Nandlal". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Ab Aayee Gavanwa Ki Sari is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ab Aayee Gavanwa Ki Sari by Mohammed Rafi having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Pehla Nasha | Udit Narayan, Sadhana Sargam | F Major | 3 | 7B | 152 BPM | ||
| Pal Pal Dil Ke Paas - From "Blackmail" | Kishore Kumar | B♭ Minor | 5 | 3A | 121 BPM | ||
| Dil Ki Yeh Arzoo Thi | Mahendra Kapoor, Salma Agha | E♭ Major | 3 | 5B | 103 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 3 | Hemlata, Ravindra Jain | C Minor | 4 | 5A | 117 BPM | ||
| Ranjish Hi Sahi | Mehdi Hassan | G Major | 5 | 9B | 133 BPM | ||
| Gori Ka Sajan, Sajan Ki Gori | S. Janaki, Mohammed Aziz | A♭ Major | 7 | 4B | 102 BPM | ||
| Ehsan Tera Hoga Mujh Par (From "Junglee") - Male Vocals | Mohammed Rafi | A♭ Minor | 4 | 1A | 90 BPM | ||
| Tum Mujhe Bhool Bhi Jao (From "Didi") | Sudha Malhotra, Mukesh | E♭ Major | 2 | 5B | 86 BPM | ||
| Aye Dil Mujhe Aisi Jagah Le Chal Jahan Koi Na Ho, From ''Arzoo'' | Talat Mahmood | D Minor | 3 | 7A | 89 BPM | ||
| Chale Aao... Chale Aao | Salma Agha, Manhar Udhas | D Major | 6 | 10B | 98 BPM | ||
| Teri Yaad Yaad Yaad | Ghulam Ali | C Major | 8 | 8B | 90 BPM | ||
| Yeh Dil Deewana | Sonu Nigam, Hema Sardesai, Shankar Mahadevan | B♭ Major | 5 | 6B | 94 BPM | ||
| Tumne Kisi Ki Jaan Ko | Mohammed Rafi, Hasrat Jaipuri | E Major | 4 | 12B | 134 BPM | ||
| Ruk Se Jara Naqaab - Mere Huzoor | Mohammed Rafi | G Major | 6 | 9B | 107 BPM | ||
| Hum Tumhen Chahte Hain - From "Qurbani" | Kanchan, Manhar, Anand | F Major | 4 | 7B | 96 BPM | ||
| Hanste Hanste Kat Jaye Raaste (From "Khoon Bhari Maang") | Nitin Mukesh, Sadhana Sargam | G Minor | 5 | 6A | 105 BPM | ||
| Yeh Jo Mohabbat Hai | Kishore Kumar, R. D. Burman | G Minor | 3 | 6A | 126 BPM | ||
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Madhuban Khushboo Deta Hai - Male Vocals | K. J. Yesudas | D Major | 4 | 10B | 134 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Chadhta Sooraj | Aziz Nazan | F♯ Major | 4 | 2B | 138 BPM | ||
| Insaan Bano | Naushad, Shakeel Badayuni, Mohammed Rafi | A Minor | 2 | 8A | 87 BPM |