"Unfold" by ABBOTT, Malte Burmester had its release date on October 15, 2021. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Unfold (XXIM:EXPO #2)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Unfold's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Unfold by ABBOTT, Malte Burmester having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloaming | Angus MacRae | F Minor | 3 | 4A | 82 BPM | ||
| Rose in a Graveyard | Taylor Ash | A Minor | 1 | 8A | 70 BPM | ||
| Circular | Silver Maple | E Minor | 1 | 9A | 63 BPM | ||
| Dark Turns to Light | Hampus Naeselius | A Minor | 3 | 8A | 80 BPM | ||
| Moonchild | Chiara Dubey | C Major | 4 | 8B | 180 BPM | ||
| Distant Water | Chelsea McGough | D Major | 3 | 10B | 132 BPM | ||
| Endless Sky | Anne Sophie Versnaeyen, Gabriel Saban, Philippe Briand | C Major | 2 | 8B | 144 BPM | ||
| Robert's Daughters | Atli Örvarsson | G Minor | 1 | 6A | 97 BPM | ||
| Evermore | Anne Sophie Versnaeyen, Gabriel Saban, Philippe Briand | A Minor | 4 | 8A | 80 BPM | ||
| Erase Me | Kelsey Woods, Distant Cowboy | E Minor | 2 | 9A | 68 BPM | ||
| Grevesmuehlen | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Vikersund | RØRE, Avery Bright | D Major | 2 | 10B | 140 BPM | ||
| Remembering | Thom Robson | A♭ Major | 0 | 4B | 76 BPM | ||
| In Frozen Waters | Hampus Naeselius | D Minor | 1 | 7A | 129 BPM | ||
| Where The Light Touches | Lindsay Wright | G Minor | 1 | 6A | 214 BPM | ||
| Life Or Death | Fractured Light Music | A Major | 1 | 11B | 139 BPM | ||
| Somewhere Else | Omar Raafat | E Minor | 2 | 9A | 149 BPM | ||
| Polaris (Piano Only) | Kevin Graham | G Minor | 1 | 6A | 120 BPM | ||
| Forever True | Audiomachine, Harry Lightfoot | F Major | 5 | 7B | 90 BPM | ||
| The Condor's Flight | Philip Ayers | E Minor | 3 | 9A | 80 BPM | ||
| Îles | Jordan Critz | A Minor | 2 | 8A | 116 BPM | ||
| The Smell of the Sea | Alan Mayer | D Minor | 1 | 7A | 123 BPM | ||
| The Sting of Loss | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| November Sea | Leo Einaudi | E♭ Major | 2 | 5B | 130 BPM | ||
| Willeth | Kino | C Major | 2 | 8B | 100 BPM |