Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen's ' "Napoli: Act III: Tarantella" was released on its scheduled release date, January 1, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Napoli: Act III: Tarantella's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Napoli: Act III: Tarantella by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Napoli: Introduction | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | G Major | 0 | 9B | 147 BPM | ||
| Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
| Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
| Dagmar Vals | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 2 | 9B | 107 BPM | ||
| Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
| Napoli: Act II: The sea spirit Golfo is enchanted by her beauty | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | B♭ Major | 1 | 6B | 71 BPM | ||
| Trumpet Voluntary | Jeremiah Clarke, Robert Ferriman, BBC Concert Orchestra, Barry Wordsworth | D Major | 2 | 10B | 123 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 5 | 11B | 99 BPM | ||
| Capriol Suite: II. Pavane | Peter Warlock, Büyükada Ensemble, James Ross | B♭ Major | 1 | 6B | 76 BPM | ||
| The Syncopated Clock | Leroy Anderson, WDR Rundfunkorchester Köln, Pinchas Steinberg | D Major | 4 | 10B | 120 BPM | ||
| Belle Of The Ball | Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell | A Major | 3 | 11B | 111 BPM | ||
| Auf der Jagd (Polka) (Liveaufnahme) | Johann Strauss Orchester | A Major | 7 | 11B | 168 BPM | ||
| Grainger: Country Gardens (Orch. Artok) | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | D♭ Major | 0 | 3B | 81 BPM | ||
| Le Prophète: Coronation March | Giacomo Meyerbeer, Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 112 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| III. Folk Feast (National Holiday) [Arr. L. Atovmyan] | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 161 BPM | ||
| Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: V. Galop "Le bal" | Georges Bizet, Paavo Järvi, Orchestre de Paris | A Major | 5 | 11B | 95 BPM | ||
| Habsburg Hoch!, Op. 408: March | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 2 | 5B | 119 BPM | ||
| Bombones de Viena Op. 307 | Gran Orquesta Vienesa | F Major | 3 | 7B | 187 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |