Solomon, HWV 67: The Arrival Of The Queen Of Sheba by George Frideric Handel, Robert Haydon Clark, Consort of London Song Details

George Frideric Handel, Robert Haydon Clark, Consort of London's ' "Solomon, HWV 67: The Arrival Of The Queen Of Sheba" was released on its scheduled release date, January 4, 2011. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 13 in Baroque Orchestral Music by Robert Haydon Clark, Consort of London. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Solomon, HWV 67: The Arrival Of The Queen Of Sheba's popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

The tempo marking of Solomon, HWV 67: The Arrival Of The Queen Of Sheba by George Frideric Handel, Robert Haydon Clark, Consort of London is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 41%
Loudness: -18.267 dB
Acousticness: 85%
Danceability: 59%
Energy: 31%
Instrumentalness: 83%
Liveness: 30%
Loudness: 70%
Speechiness: 4%
Valence: 60%

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