On April 15, 2024, the song "Glorious Baroque" was released by Naoaki Yoshida, バロックセンセーション. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Glorious Baroque's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in バロック 音楽, so we believe that "Glorious Baroque" is a single. In terms of popularity, Glorious Baroque is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Glorious Baroque by Naoaki Yoshida, バロックセンセーション is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 24 Preludes and Fugues Op. 87: No. 4, in E Minor: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | E Minor | 1 | 9A | 135 BPM | ||
| Suite No. 2 in G Minor, Z. 661: III. Courante - Live | Henry Purcell, Grigory Sokolov | B♭ Major | 0 | 6B | 123 BPM | ||
| Blow Me | fakemink | D♭ Major | 6 | 3B | 99 BPM | ||
| Harmonics Baroque | Naoaki Yoshida, バロックセンセーション | F Major | 2 | 7B | 114 BPM | ||
| Violin Concerto in A Major, TWV 51:A4 "Die Relinge": I. Allegro | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 3 | 3B | 140 BPM | ||
| 夢見る猫の午後 | 猫用音楽の安らぎ | A♭ Major | 0 | 4B | 50 BPM | ||
| Sonatine bureaucratique: 2. Andante | Erik Satie, Jean-Yves Thibaudet | D Major | 0 | 10B | 72 BPM | ||
| Choral No. 11 in a Minor Bwv 691 | Songs of Birdland, Mu Dimon, Classical of Birdland | A Minor | 1 | 8A | 64 BPM | ||
| Piano Concerto No. 5 in D Major: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Campania Chamber Orchestra, Luigi Piovano | D Minor | 0 | 7A | 105 BPM | ||
| (Ré)inventio: No. 14 in B-Flat Major [After J.S. Bach's BWV 785] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Arr. Anna Saradjian) | Gottfried Heinrich Stölzel, Lang Lang | E♭ Major | 1 | 5B | 64 BPM | ||
| 하늘을 수놓은 별빛 | 아기 오르골의 꿈의 소리 | C Major | 2 | 8B | 112 BPM | ||
| 12 esquisses, Op. 47: No. 9, Esquisse in D | Reinhold Glière, Dinara Klinton | F Major | 1 | 7B | 104 BPM | ||
| Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 4, Menuet in G Major [Attrib. J.S. Bach's BWV Anh. 114] | Christian Petzold, Giovanni Mazzocchin | B♭ Major | 0 | 6B | 88 BPM | ||
| Württemberg Sonatas / Sonata No. 3 in E Minor, H. 33: III. Vivace | Carl Philipp Emanuel Bach, Keith Jarrett | D♭ Major | 0 | 3B | 201 BPM | ||
| 하늘과 바다의 노래 | 아기 오르골의 꿈의 소리 | C Major | 2 | 8B | 112 BPM | ||
| Suite in G Minor, HWV 452: II. Courante | George Frideric Handel, Keith Jarrett | G Minor | 2 | 6A | 106 BPM | ||
| Wind Concerto: II. (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | C Major | 2 | 8B | 118 BPM | ||
| Les tendres plaintes—Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D Minor | 0 | 7A | 75 BPM | ||
| Grow | Natana Bach | B♭ Major | 0 | 6B | 69 BPM | ||
| 3 Gnossiennes, Gnossienne No. 1: Gnossiene No. 1 (Arr. For clarinet and piano) | Erik Satie, Nandor Gotz, Balazs Szokolay | F Minor | 0 | 4A | 110 BPM | ||
| Minuet & Trio in G Major, WAB 220 | Anton Bruckner, Mari Kodama | C Major | 2 | 8B | 127 BPM | ||
| Suite No. 2 in G Minor, Z. 661: II. Allemande - Live | Henry Purcell, Grigory Sokolov | G Minor | 3 | 6A | 99 BPM | ||
| Piano Sonata In D Major, Op. 37, No. 2: I. Allegro Assai | Muzio Clementi, Balazs Szokolay | A Major | 1 | 11B | 85 BPM |