- BPM
- 106
- Key
- G Minor
- Camelot
- 6A
Suite in G Minor, HWV 452: II. Courante by George Frideric Handel, Keith Jarrett Song Details
George Frideric Handel, Keith Jarrett's ' "Suite in G Minor, HWV 452: II. Courante" was released on its scheduled release date, September 1, 1995. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Keith Jarrett's "Handel: Suites for Keyboard" album is number 2 out of 29. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite in G Minor, HWV 452: II. Courante is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
We consider the tempo marking of Suite in G Minor, HWV 452: II. Courante by George Frideric Handel, Keith Jarrett to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 18%
- Loudness
- -22.672 dB
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 25%
- Instrumentalness
- 84%
- Liveness
- 13%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 53%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 14 In C Major, H. 60a: Nocturne No. 14 In C Major | Benjamin Frith, John Field | G Major | 0 | 9B | 73 BPM | |
 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio | Ludwig van Beethoven, Alfred Brendel | F Major | 1 | 7B | 84 BPM | |
 | Nocturne No.18 in F Major, H.62 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 72 BPM | |
 | Theodora, HWV 68, Act I Scene 5: Air. Angels, ever bright and fair (Theodora) | George Frideric Handel, Christina Wieland, Diana Schmid, Franz Vitzthum, Knut Schoch, Klaus Mertens, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | E Major | 1 | 12B | 94 BPM | |
 | Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | |
 | Apollo e Dafne, HWV 122: V. Felicissima quest’alma | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | |
 | Suite in G Minor, HWV 452: 1. Allemande | George Frideric Handel, Keith Jarrett | G Minor | 2 | 6A | 162 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act 3: Dido's Lament (Arr. Diluka for Piano) | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | |
 | Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | |
 | Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | |
 | Goldberg Variations: Variation 25 | Jacques Loussier Trio | A♭ Minor | 2 | 1A | 108 BPM | |
| Nocturne No. 13 in C Major “Rêverie-Nocturne”, H.45 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 115 BPM | |
 | The Well-Tempered Clavier, Book 1: Fugue No. 4 in C-Sharp Minor, BWV 849/2 - Live in Troy, NY / 1987 | Johann Sebastian Bach, Keith Jarrett | D♭ Minor | 1 | 12A | 122 BPM | |
 | Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | |
 | Piano Sonata in C minor, H.XVI No. 20: 2. Andante con moto | Joseph Haydn, Alfred Brendel | E♭ Major | 0 | 5B | 66 BPM | |
 | Sonata in A Major, K 537 | Domenico Scarlatti, Murray Perahia | A Major | 2 | 11B | 136 BPM | |
 | Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | |
 | Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | |
 | Suite No. 2 in G Minor, Z. 661: III. Courante - Live | Henry Purcell, Grigory Sokolov | B♭ Major | 0 | 6B | 123 BPM | |
 | 24 Preludes & Fugues, Op. 87: No. 9 in E Major | Dmitri Shostakovich, Keith Jarrett | E Major | 1 | 12B | 139 BPM | |
 | Gavotte | Mona Mcburney, Jeanell Carrigan | D Major | 1 | 10B | 72 BPM | |
 | Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile | Wolfgang Amadeus Mozart, Glenn Gould | F Major | 0 | 7B | 139 BPM | |
 | Die Zauberflöte: Aria Variation (Arr. for Piano from K. 620 by Vivan und Ketan Bhatti) | Wolfgang Amadeus Mozart, Olga Scheps | F Major | 3 | 7B | 174 BPM |
- ISRC
- DEB339353002
- Label
- L-M Records/RCA Records