George Frideric Handel, Emmanuelle Haïm, Lea Desandre, Sabine Devieilhe, Le Concert d'Astrée's ' "Handel: Aminta e Fillide, HWV 83: "Per abbatter il rigore" (Aminta, Fillide)" was released on its scheduled release date, November 23, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Sabine Devieilhe, Lea Desandre, Emmanuelle Haïm, Le Concert d'Astrée's "Handel: Italian Cantatas" album is number 22 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Handel: Aminta e Fillide, HWV 83: "Per abbatter il rigore" (Aminta, Fillide) is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Handel: Aminta e Fillide, HWV 83: "Per abbatter il rigore" (Aminta, Fillide) by George Frideric Handel, Emmanuelle Haïm, Lea Desandre, Sabine Devieilhe, Le Concert d'Astrée to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
| L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
| Giulio Cesare (Act 2): Se pietà di me non senti | George Frideric Handel, Jeanine De Bique, Concerto Köln, Luca Quintavalle | D♭ Minor | 2 | 12A | 140 BPM | ||
| Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
| Gluck: Orphée et Eurydice Wq. 41, Act 4: "J'ai perdu mon Euridyce" (Orphée) | Christoph Willibald Gluck, Michael Spyres, Il Pomo D'oro, Francesco Corti | B Major | 2 | 1B | 101 BPM | ||
| Zueignung, Op. 10 No. 1 (Version with Orchestra) | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
| Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon | A♭ Major | 4 | 4B | 104 BPM | ||
| Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
| Bach, JS: Magnificat in D Major, BWV 243: VI. Duet. "Et misericordia" | Johann Sebastian Bach, Emmanuelle Haïm, Toby Spence, Le Concert d'Astrée | F♯ Minor | 4 | 11A | 132 BPM | ||
| Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM | ||
| Requiem in C Minor, MH 559: Kyrie | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | C Minor | 2 | 5A | 78 BPM | ||
| Juditha triumphans, RV 644: Air "Veni, veni me sequere fida" | Antonio Vivaldi, Lea Desandre, Jupiter, Thomas Dunford | A Major | 1 | 11B | 74 BPM | ||
| Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b | Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon | D Major | 0 | 10B | 85 BPM | ||
| Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
| Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
| Miserere in C minor: Gloria Patri I | Thomas Hengelbrock | E♭ Minor | 1 | 2A | 122 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) | Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Singet dem Herrn ein neues Lied, BWV 225: III. Lobet den Herrn | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij | A Major | 2 | 11B | 81 BPM | ||
| Rinaldo, HWV 7a / Act 1: "Venti, turbini, prestate" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | F♯ Major | 5 | 2B | 120 BPM | ||
| Charpentier: Tristes déserts, sombre retraite, H. 469 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 106 BPM | ||
| Dixit Dominus, HWV 232: IX. Duetto & Chorus "De torrente in via bibet" | George Frideric Handel, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Caroline Weynants | B Minor | 3 | 10A | 127 BPM | ||
| Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
| Platée, RCT 53, Acte I, Scène VI: Orage | Jean-Philippe Rameau, Teodor Currentzis | F♯ Major | 7 | 2B | 83 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM |