On October 17, 2014, the song "Platée, RCT 53, Acte I, Scène VI: Orage" was released by Jean-Philippe Rameau, Teodor Currentzis. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Rameau - The Sound of Light". In this album, this song's track order is #7. Platée, RCT 53, Acte I, Scène VI: Orage is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Platée, RCT 53, Acte I, Scène VI: Orage by Jean-Philippe Rameau, Teodor Currentzis having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naïs - Ouverture | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | B Major | 5 | 1B | 125 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
| Atys, LWV 53: Ouverture | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | F Minor | 3 | 4A | 131 BPM | ||
| Ciaccona | Francesca Caccini, Cappella di Santa Maria degli Angiolini, Gian Luca Lastraioli | B Major | 5 | 1B | 72 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | ||
| Apollo e Dafne, HWV 122: V. Felicissima quest’alma | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
| 4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) | Sinfonieorchester Basel, Luigi Boccherini, Ivor Bolton | C Major | 2 | 8B | 133 BPM | ||
| Concerto in Re minore: VI. Presto | Alessandro Marcello, Concerto Italiano, Rinaldo Alessandrini | D♭ Minor | 3 | 12A | 110 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
| Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Gyorgy Vashegyi, Purcell Choir | B Minor | 4 | 10A | 94 BPM | ||
| Miserere in C minor: Misere I | Thomas Hengelbrock | B Minor | 2 | 10A | 94 BPM | ||
| Persée: Entrée des divinités infernales | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | E Minor | 2 | 9A | 97 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 82 BPM | ||
| Marcello, A: Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Il Giardino Armonico, Paolo Grazzi, Giovanni Antonini | D♭ Minor | 1 | 12A | 84 BPM | ||
| Flute Concerto No. 2 in G Major: I. Allegro | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 1 | 9B | 135 BPM | ||
| Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
| Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
| Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): II. Largo | Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner, Iona Brown | G Minor | 1 | 6A | 69 BPM | ||
| 12 Concerti grossi, Op. 6 - Concerto grosso in G major, Op. 6, No. 1: 2. Allegro | George Frideric Handel, Handel and Haydn Society, Christopher Hogwood | F♯ Major | 3 | 2B | 129 BPM | ||
| Les Indes galantes, RCT 44, Première entrée, Le turc généreux, Scène VI: Air pour les esclaves africains | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 2 | 11A | 83 BPM | ||
| Requiem in D Minor, K. 626: IV. Offertorium "Domine Jesu" | Wolfgang Amadeus Mozart, musicAeterna, Teodor Currentzis, The New Siberian Singers, Simone Kermes, Stephanie Houtzeel, Markus Brutscher, Arnaud Richard | A Minor | 0 | 8A | 95 BPM | ||
| Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM |