George Fenton's ' "Butterflies In The Subway" was released on its scheduled release date, March 9, 1999. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Butterflies In The Subway's duration is considered a little bit shorter than the average duration of a typical track. This song is part of You've Got Mail (Original Motion Picture Score) by George Fenton. The song's track number on the album is #1 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Butterflies In The Subway is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Butterflies In The Subway by George Fenton has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Butterflies In The Subway being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pride and Prejudice (From "Pride and Prejudice") [BBC 1995 Adaptation] | Regency Players | B♭ Major | 2 | 6B | 126 BPM | ||
| What Child Is This? - Instrumental | Lauren Daigle | A Minor | 4 | 8A | 130 BPM | ||
| The Nutcracker, Op. 71, Act II, Scene XV: Dance of the Sugar-Plum Fairy | The City of Prague Philharmonic Orchestra, Richard Hein | E Minor | 1 | 9A | 116 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| Plink, Plank, Plunk! | Leroy Anderson, BBC Concert Orchestra, Leonard Slatkin | G Major | 0 | 9B | 161 BPM | ||
| Frosty The Snowman | Sam Levine | F Major | 6 | 7B | 196 BPM | ||
| Trelew, Cornwall, England | Harry Gregson-Williams | E♭ Major | 1 | 5B | 85 BPM | ||
| Harriet Smith | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 96 BPM | ||
| End Credit | Alan Silvestri | F Major | 1 | 7B | 120 BPM | ||
| Kinema | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| The Proposal (Under The Horse Chestnut Tree) | Isobel Waller-Bridge, David Schweitzer | C Major | 1 | 8B | 85 BPM | ||
| The Lady In Blue | Patrick Doyle | G Major | 2 | 9B | 168 BPM | ||
| Morning On Boston Common | Randy Edelman | E♭ Major | 4 | 5B | 80 BPM | ||
| What Should I Do? | Alexandre Desplat | B♭ Major | 1 | 6B | 112 BPM | ||
| The Family Stone Waltz | Michael Giacchino | D Major | 4 | 10B | 205 BPM | ||
| One Snowy Night | John Williams | G Major | 0 | 9B | 91 BPM | ||
| Sabrina: Theme | John Williams, Itzhak Perlman, Pittsburgh Symphony Orchestra | D Minor | 2 | 7A | 87 BPM | ||
| Where Is Mr. Barrie? - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 134 BPM | ||
| Ever After Main Title | George Fenton | G Minor | 1 | 6A | 89 BPM | ||
| Emma And Mr. Knightley (A Kiss Before They Wed) | Isobel Waller-Bridge, David Schweitzer | F Major | 1 | 7B | 118 BPM | ||
| Poor Miss Taylor | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 101 BPM | ||
| Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
| Adventures of a London Gentleman | Christopher Willis | E Major | 3 | 12B | 125 BPM | ||
| The Gambler | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| The Homecoming | Peter Breiner, Don Gillis | C Major | 2 | 8B | 79 BPM |