- BPM
- 130
- Key
- C Major
- Camelot
- 8B
Acrostic Variations: IIa. Var. 6 "Drone" by David Dzubay, Manhattan Brass Song Details
David Dzubay, Manhattan Brass's ' "Acrostic Variations: IIa. Var. 6 "Drone"" was released on its scheduled release date, January 1, 2008. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 20 in David Dzubay: Brass Works by David Dzubay, Manhattan Brass. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Acrostic Variations: IIa. Var. 6 "Drone"'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
The tempo marking of Acrostic Variations: IIa. Var. 6 "Drone" by David Dzubay, Manhattan Brass is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -10.12 dB
- Acousticness
- 92%
- Danceability
- 60%
- Energy
- 26%
- Instrumentalness
- 99%
- Liveness
- 6%
- Loudness
- 83%
- Speechiness
- 7%
- Valence
- 49%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Cosmic Journey | Nomad Skies | B Major | 4 | 1B | 123 BPM | |
 | Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | |
 | ドラゴンの年 I. トッカータ | Philip Sparke, Osaka Shion Wind Orchestra | B♭ Major | 1 | 6B | 87 BPM | |
 | Octet for Wind Instruments, K.041: I. Sinfonia | Igor Stravinsky, Eastman Wind Ensemble, Mark Davis Scatterday | A Minor | 6 | 8A | 99 BPM | |
 | Wachet auf, ruft uns die Stimme, BWV 645 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | 組曲 展覧会の絵, 8. カタコンブ | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, The Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | |
 | Bookmarks from Japan: III. The Great Wave Off Kanagawa | Julie Giroux, University of North Texas Symphonic Band, H. Bruce Gilkes | F Major | 3 | 7B | 148 BPM | |
 | Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 69 BPM | |
 | The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | |
 | St. Vitus' Dance: IV. Festival of St. John's Day | David Dzubay, Manhattan Brass | A Minor | 2 | 8A | 71 BPM | |
 | Gustav II Adolf, Op. 49: VI. Breitenfeld - Bataljmålning (Breitenfeld - Battle Painting) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 1 | 6B | 124 BPM | |
 | Life Songs, Book II, Singing the Sun: No. 7, Night | David Dzubay, Voices Of Change | B♭ Major | 2 | 6B | 130 BPM | |
 | Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | |
 | Myaku | David Dzubay, Ithaca College Wind Ensemble, Stephen Peterson | E Minor | 3 | 9A | 141 BPM | |
 | Nebula Lullaby | Astrid Voix | B♭ Major | 1 | 6B | 124 BPM | |
 | Euphonium Concerto: I. Allegro assai | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | A Major | 1 | 11B | 72 BPM | |
 | The Thing Electrocuted | Dimitri Tiomkin | D♭ Major | 5 | 3B | 76 BPM | |
 | Paris Sketches: No. 1, Saint-Germain-des-Pres | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 4 | 3B | 125 BPM | |
 | Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | |
 | Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | |
 | 4 Scottish Dances, Op. 59: No. 4, Con brio | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | D Major | 3 | 10B | 136 BPM | |
| Symphony No. 2 in One Movement, Op. 30: IV. Tempo di Marcia | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F Minor | 1 | 4A | 63 BPM | |
 | Billy the Kid: No. 10, Billy's Funeral | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM |
- ISRC
- USCRS0893011
- Label
- L-M Records/RCA Records