On 1993, the song "Kahi Pyaasi Raat" was released by Amit Kumar, Sapna Mukherjee. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bappi Lahiri's "Maidan-e-Jung (Original Motion Picture Soundtrack)" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Kahi Pyaasi Raat is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kahi Pyaasi Raat by Amit Kumar, Sapna Mukherjee to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pehle to Kabhi Kabhi | Altaf Raja | D♭ Minor | 7 | 12A | 180 BPM | ||
| Bhangda Paale | Sadhana Sargam, Mohammed Aziz, Sudesh Bhosle | D♭ Major | 6 | 3B | 133 BPM | ||
| Mere Jaesi Haseena | Sharon Prabhakar, Bappi Lahiri | F♯ Minor | 7 | 11A | 109 BPM | ||
| Jab Bhi Milo Dil Se Milo | Amit Kumar | A Minor | 7 | 8A | 130 BPM | ||
| Hum Jis Raste Pe Chale - From "Teri Kasam" | Lata Mangeshkar, Amit Kumar, R. D. Burman | G Major | 6 | 9B | 76 BPM | ||
| In Ankhon Ki Masti | Asha Bhosle | F Major | 5 | 7B | 108 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Chup Tum Raho | M. M. Kreem, K. S. Chithra | F Major | 4 | 7B | 87 BPM | ||
| Rooth Kar Hamse | Jatin Pandit | A Major | 4 | 11B | 184 BPM | ||
| Sajna O Sajna-Le To | Hemlata | A♭ Minor | 6 | 1A | 87 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM | ||
| Pari Pari | Babul Supriyo | A♭ Major | 6 | 4B | 158 BPM | ||
| Jahan Piya Wahan Mein | K. S. Chithra, Shankar Mahadevan | D Major | 5 | 10B | 98 BPM | ||
| Apun Bola | Shah Rukh Khan, Hema Sardesai | G Major | 6 | 9B | 93 BPM | ||
| Prem Jaal | Anuradha Sriram, Sukhwinder Singh | G Major | 7 | 9B | 128 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Main Ek Panchhi Matwala Re | Amit Kumar | G Major | 4 | 9B | 76 BPM | ||
| Kisi Ki Muskurahaton Pe | Mukesh | C Minor | 3 | 5A | 207 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Ho Nahi Sakta | Udit Narayan | B♭ Minor | 7 | 3A | 85 BPM | ||
| Bholi Si Surat | Uttam Singh, Lata Mangeshkar, Udit Narayan, Anand Bakshi | F Major | 7 | 7B | 87 BPM | ||
| Maine Payal Hai Chhankai | Falguni Pathak | F♯ Minor | 3 | 11A | 173 BPM | ||
| My Heart Is Beating | Preeti Sagar | E Minor | 4 | 9A | 96 BPM | ||
| Dono Hi Mohabbat Ke | Altaf Raja | B♭ Minor | 8 | 3A | 168 BPM | ||
| Ladke Aaj Ke Ladke | Anu Malik, Poornima | A Minor | 9 | 8A | 185 BPM |